Constantina Voulgaris’s first feature film is a delightful anomaly in contemporary cinema, sort of like a Cat Power song. Raw, earnest, melancholy, awkward in parts, razor sharp in others, it's lyrical, yet with an undercutting touch of offbeat humor. And more than anything it's unapologetically a girl's bedroom song, an utterly sincere home movie. Made with the ever-generous currency of a cast and crew of friends, and the ample downtime that Greek summer-in-the-city affords, when everybody else is sunning and hooking up out in the islands, it's a film about two exiles -- in Athens, in summer, in love. A sentimental dance between a girl and a boy who could be stuck in downtown any-ville, yearning to be with each other but too cool to dare, too chicken to admit it, too clumsy not to step on each other's Doc Martens, and too damn sentimental not to surrender, in the end, to that old-fashioned thing called love.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

Just before turning thirty, Danny and Stella often feel lost and disorientated. This is the chronicle of their relationship that reveals the portrait of their generation with sarcastic humour and sincerity.

An aged, above suspicion, bourgeois man known as ‘The Master’ lives isolated in a luxurious beachfront villa with his teenage daughter. In reality, however, he is involved in an illicit trade in antiquities, acts as a loan shark, and trades antiquities on the black market. The ‘Master’ has two henchmen, Mercury and John, who both commit fatal mistakes. Mercury falls for the daughter of ‘Master’, while John becomes obsessed with a prostitute. Both of them, as ‘sentimentalists’, must be eliminated.

Vassilis Galis is a young man having trouble growing up. His mother was diagnosed with cancer when he was a boy but she got better. Subsequently her vision of life was changed radically and she left her family to embark on new adventures. Vassilis hasn’t seen her since but her absence has left a telling mark on the whole family. His father hardly speaks anymore and his brother, now a famous movie star, is afraid of emotion. Vassilis has problems reaching out to other people and the only steadfast part of his life through the years has been his dog, Roz. When Vassilis meets eleven and a half year old Snezana, a strong friendship begins to develop and Vassilis starts descending ever deeper back into his childhood realm.

The wild beast is preparing to leave the sewers behind and its roar echoes through the rooms of the apartment building.

A feature-length anthology film. They are known as myths, lore, and folktales. Created to give logic to mankind’s darkest fears, these stories laid the foundation for what we now know as the horror genre.

A psychedelic docu-essay, inspired by Arthur Rimbaud’s visionary poem Une Saison en Enfer, in which the poet’s ghost travels through history, encountering revolutionary figures and queer ‘freaks’ such as Emma Goldman, David Wojnarowicz, and Marsha P. Johnson. These encounters form a multilayered collage that interrogates identity, the meaning of revolution, and the role of the artist in shaping radical histories and collective imaginaries.