As a young child, Frederic had been apprenticed to a pirate by mistake when he should have been apprenticed to a pilot. Now, having reached his 21st year, Frederic's indentures are at last over and he happily leaves the service of the pirates. When Frederic meets the beautiful Mabel, one of the many daughters (or wards in Chancery) of Major-General Stanley, they fall in love and decide to marry. However, complications arise when the pirates decide to marry the rest of the Major-General's daughters, themselves - and Frederic's birthdate turns out to be not all it seems.

Half-fae-half-mortal shepherd Strephon wants to wed shepherdress Phyllis, but, although she reciprocates his feelings, she has a dilemma — she is so beautiful that all of the House of Lords, as well as her guardian, the Lord Chancellor, are also desirous of marriage.

The villagers of Ploverleigh are celebrating the marriage of Alexis, son of Sir Marmaduke Poindextre, to Aline, daughter of Lady Sangazure, who just happens to be Sir Marmaduke's old flame. Alexis is determined that all shall share the purity of his true love. He has arranged for Mr. Wells, "a dealer in magic and spells," to administer his best-selling love potion to everyone in the village, including the vicar Dr. Daly. The result is hilarious confusion.

Live performance, part of Monteverdi cycle staged by Oper Zürich with Nikolaus Harnoncourt conducting the Zürich Opera House Monteverdi Ensemble. Staged and directed by Jean-Pierre Ponnelle

Live from ROH 1985. Giordano's Andrea Chenier is one of the greatest of verismo operas, full of heart-stopping big tunes and powerful emotional situations. If it is not as well-known as it should be, it is because in summary it sounds a little too like Puccini's Tosca: there is a tussle between political opponents over a woman, an attempt to save a condemned man, a tenor aria about writing poetry on the eve of execution. The difference is that Gerard (Giorgio Zancanaro) is not a villain like Scarpia, he is an idealist whom the French Revolution has betrayed as much as it has his rival the poet Chenier (Placido Domingo). His temptation to abuse his power to seduce the virtuous Maddalena (Anna Tomowa-Sintow) is a momentary one, though its consequences are terrible. There is a streak of post-Wagnerian decadence in much of this--Maddalena is at least as much in love with death as she is with Chenier, and the final love duet has a deeply sinister aspect. -- From Amazon.co.uk

Richard Strauss's opera, from the Royal Opera House, Covent Garden.

Offenbach's popular comic opera poking fun at Greek mythology in english translation, staged for television by Christopher Renshaw.

Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.