The story of Alex, who, with the help of his charismatic grandfather, embarks on a journey in search of his real self.

It is a story about a group of friends who live in a small seaport town. Their lifestyle is rigorous, their joys are simple and their sex life is raw. Their concepts of man's dignity, friendship and duty are wrong and primitive. The film helps us to understand and forgive them.

A teenage girl's rebellion through drugs becomes a metaphor for the struggle between individuality and totalitarianism. Amidst the political upheaval of 1968, Sybilla (the "Countess") is sent to a girls' re-education camp when she is caught using drugs. After a failed affair and an abortion, Sybilla's drug use lands her in a mental clinic where she resists efforts to remold her personality. Based on a true story.

Three friends, Maro, Shpera and Yuri are unemployed and hardly make ends meet. They have complicated and hysterical relationships with the people closest to them. They seem to have emigrated from their families and their country. Provoked by a mysterious telephone call, they set out on a journey, filled with the hope to change their lives.

Ponko is one of the newly rich who made their fortune gambling as an elite player in a small town. In order to avoid dealing with other competitive players of the same kind, he settled a deal for himself to do time at a low security detention facility. He can still be in charge of his deal from prison with the help of his wife Rada. Yet, he bets and loses Rada to another prisoner at a game, which gives that man the right to spend a night with her, as well as to join the elite of players he is part of. Rada has feelings for Ponko's cousin but when she brings some money she has won at a game to him, she learns that he made a deal with Ponko to take care of her while he is in prison. She tries to get out of the vicious circle of crime but fails to do so. The corrupt world of blurred concepts of good and evil has engulfed them all and turned them into predators and victims of its poison.

Magdalena is a small-town theatre actress, playing unrecognizable roles. She travels to a nearby village to take care of her father-in-law, who has suffered a stroke. Due to a swine fever outbreak, the village has been blocked. After a long thought, she decides to save the pig, even though, if caught, she will face a fine that she is unable to pay. On her journey to save the pig, Magdalena finds the empathy of people in unlikely places.

Let us imagine isolation, fear, almost generic fear, and ancient, pervasive, self-generated. This fear becomes a system. The little man, forced, struggled to maintain his minimal right, the right to survive. But today, this crushed, squeezed, almost destroyed little man stands on the border, the one that separates— or unites—the old system and the new, the world of competition, where survival is precisely through profitability, profit. Then the little man becomes the hero, the model, the hero of this almost demonological thriller.