Writing
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In the city, a business man walks to work on a Monday morning when he's interrupted by a junkie-like kid who asks him: Do you want some soup?
Emilio (Jairo Osuna) is a Mexican teenager who tries to save his younger sister after she's abducted by relatives who cross into the United States. But Emilio's own attempt at an illegal crossing lands him in the clutches of a ruthless drug smuggler (James Bardo). When he finally reaches the U.S., Emilio gets help from a sympathetic car mechanic (Damian Chapa) but still faces daunting odds in the violent world that the border has created.
Two retired assassins pulled back into the deadly business by one last lucrative deal quickly come to realize that they are the intended targets.
Chelo is an architect, withdrawing from her social life because of realistic dreams she's having of a romance with a strange man. She's convinced the man is real, out there, destined to be with her. She reports a rape to the police, describing the man of her dreams to a sketch artist. The police find a suspect: he's Marcos, a physician. Chelo tells the police this is not the man who raped her, but now she has Marcos in her sights. Her plan for him to fall in love with her is complicated by his having a fiancée. What can Chelo do? Meanwhile, Marcos has violent dreams about an unfamiliar woman. Chronologies overlap, glass breaks. Can a mind lie to itself?