Molson Canadian Rocks for Toronto was a benefit rock concert that was held in Toronto, Ontario, Canada on July 30, 2003. It was also known as "Toronto Rocks,""Stars 4 SARS," "SARSStock,","SARSfest," "SARS-a-palooza," the "SARS concert," or, more descriptively, "The Rolling Stones SARS Benefit Concert." Estimated to have between 450,000 and 500,000 people attending the concert, it is the largest outdoor ticketed event in Canadian history, and one of the largest in North American history.

Following the success of Rush: Cinema Strangiato - Director's Cut in movie theaters worldwide, Anthem Entertainment and Trafalgar Releasing give Rush fans around the world the opportunity to experience it again – this time from the comfort of home. In celebration 40 years of Moving Pictures, this global streaming release features the “director’s cut” of 2019's R40+ event that was just shown in cinemas, giving audiences a special look into R40 LIVE, with a setlist including this year’s new additions of bonus tracks "One Little Victory" and “Red Barchetta” as well as "Cygnus X-1 / “The Story So Far” featuring Neil's final recorded drum solo masterpiece.

Legendary rock band Rush plays the Maracana Stadium in Rio de Janeiro, Brazil, on the final night of the band's 2002 Vapor Trails tour, in front of 40,000 fans.

The Super Deluxe package features an elaborate 40th anniversary cover treatment by longtime Rush creative director Hugh Syme, who has created a new artwork for each of the album's six songs, and an extensive 12,000-word essay by Rock historian Rob Bowman. Also included are several exclusive items: a unique King's Ring (with custom velvet pouch and neck chain); two lithographs with original artwork by Hugh Syme; a special 12-inch turntable mat (with distinctive artwork by Hugh Syme); a reproduction of the 1978 A Farewell To Kings tour programme.

Hemispheres, Rush’s sixth studio album, was originally released in October 1978, and it built upon the adventurous sonic template the band established on its acclaimed 1977 effort, A Farewell To Kings. The album’s first track, “Cygnus X-1 Book II: Hemispheres,” encompassed the entirety of Side 1 on the original release and was the logical, heady continuation of the epic album-ending Kings track, “Cygnus X-1.” Side 2 commenced with the hard-driving commentary on English culture “Circumstances,” followed by the socially aware and environmentally conscious FM radio hit “The Trees,” and concluded with the instrumental tour de force and longtime concert favorite, “La Villa Strangiato.”

An in-depth look at the Canadian rock band Rush, chronicling the band's musical evolution from their progressive rock sound of the '70s to their current heavy rock style.

Peter Klaven is a successful real estate agent who, upon getting engaged to the woman of his dreams, Zooey, discovers, to his dismay and chagrin, that he has no male friend close enough to serve as his Best Man. Peter immediately sets out to rectify the situation, embarking on a series of bizarre and awkward "man-dates."

Exit...Stage Left was filmed in Montreal Canada during Rush's 1981 World Tour that encompassed Canada, the United States and Europe and reached a total audience in excess of one million people. The footage incorporated the output of five separate 16mm cameras, both hand-held and stationary, which operated in front of the stage behind a barricade, and in various strategic onstage locations. During the performance at the Montreal forum, the audio was recorded by Le Mobile, with Terry Brown and Guy Charbonneau at the controls. The audio was then digitally mixed at Le Studio in Morin Heights, Quebec, where Moving Pictures, Permanent Waves, and Signals were recorded and mixed. The result, the Exit...Stage Left movie (a different performance than that found on the live Exit...Stage Left album), represents one hour of highlights from Rush's two hour stage show, visualizing material from their albums Moving Pictures, Permanent Waves, Hemispheres, and A Farewell to Kings.

Whilst Rush have always been considered one of Rock's greatest hidden treasures, with complex, intricate musicianship, it can never be said that Music Video was their forté. With this collection of 'hit' videos from Rush we can see why. Almost befittingly, Rush's best videos appear to be those that simply demonstrate their playing. Studio footage of Rush is rare and welcomed on this DVD.

For a band with high standards, a perfect show is impossible, and an excellent show is rare. You hope that the norm is "good". To deliver a really exceptional, comfortable performance before a recording truck or film crew has been our unfulfilled dream of many years. Always it seemed that as soon as the machines started rolling, we forgot how to play and our equipment forgot how to work. But for these two nights, the gods smile. And the film becomes not just a concert, but a symbol - for the band a scrapbook, an autobiography, an era frozen in glacial clarity. For the audience, it can be an enduring souvenir, and if it can't quite capture what it was like to be there, it is a way of seeing through many pairs of eyes, of shifting one's vantage-point around and above the players in a way no mortal could. Hands perform, and hands respond. Hands gesture, and hands respond. A show of ears and eyes, a show of hearts and minds. A Show of Hands. - Neil Peart