Gioia has just turned 18. She lives with her father Bruno in a small country village where she works as a shepherdess. They live very simply yet harmoniously with the villagers. Their lives are disrupted when Bruno gives in once again and once too many to his gambling addiction, in spite of his efforts to quit. Gioia will have to follow him to a faraway town, where he will be treated in a specialized center. This will radically change her existence, forcing her to abandon the safety of the village, her friends and her habits. She will be all by herself to support her father, in his journey for a better life.

Lodo is twenty years old and lives the difficulties of his age, between a difficult relationship with his father and the attempt to conquer Giulia, his roommate with whom he is madly in love. He performs with the MOB, an indie band, in a legendary Roman club: the Morrison. One day, by chance, Lodo's path crosses that of Libero Ferri, a former rock star with a stalemate career, who tries to find success but ends up withdrawing more and more in himself, neglecting his beautiful wife Luna and living isolated in his luxurious villa full of memories. Between dreams, failures, friendship, tormented loves and curious characters, their meeting will become a mutual stimulus to move forward, but at times also a difficult comparison between generations and very different ways of being.

An eighteen-year-old boy is released from an institute for minors with no family support, and for the first time tastes the bittersweet flavor of freedom; an imprisoned mother longs to go back and start all over again. These are the characters taken from the real world and transferred into a film that is first of all a shadowing of human beings, of their hopes and little acts of cowardice. But it is also the story of a time of waiting, of a soul going around in circles, a coming of age in a desolate and oppressive, marginal context that becomes a character in its own right.