
Acting
Alessandra Vidal de Negreiros Negrini (born August 29, 1970) is a Brazilian actress.

The great battles are the backdrop for the unfolding of the Egyptian Queen's personal life. The strategy of Cleopatra is to seduce the Roman General Julius Caesar and Mark Antony to protect their civilization.

The names of the characters are pronouns. She is a teacher, with his father dead just three days ago. Faced with this situation, He intends to take care of her while He is alive. This is the beginning of an odd relationship.

A group of friends come of age during the political turmoil that plagued Brazil in the 1960's and 70's. Together, these musicians form a band called "Os Desafinados" and become a part of the groundbreaking Brazilian musical movement called Bossa Nova

Edgar is a young upper-middle class man, close to completing 30 years old, he lives a full life crisis and is in a position common to the vast majority of Brazilians. On the one hand the power, represented by a corrupt state, abusive and absent in their taxes before their obligations. On the other, crime increasingly organized violence became a constant in the lives of citizens in large cities. Edgar responds to all this as a modern vigilante. With the help of ingredients such as technology, counter-information and manipulation, Edgar concocts a brilliant plan, using the greed of their opponents as the reason for its destruction. As the plot unfolds, we know more about the dark past of each character as Edgar fit the pieces together in an intriguing puzzle that makes up the film's plot.

Violeta is a married dentist on a normal working day. While listening to a message left on the cell she enters in despair. The message of her husband, Djalma, says he is leaving her and going to another city.

The story of two couples who are neighbors and the marital problems caused by the unexpected arrival of two important personages of their past. The first couple, Carlos and Ana, live on the seventh floor of a building. Ana feels she's entitled to more love than her husband is willing to give. Suddenly, an old friend, Tomás, reappears after many years away and stays at their house. Andréa and Miguel live in the building across the street and are also going through a marriage crisis. In a party, they meet Cláudia, Miguel's first girlfriend, and she has no place to stay. Naturally, she's invited to sleep at their place. The presence of the two newcomers will cause many changes in their relationships.


Afrânio is a retired voice actor. Lonely and tormented by memories of his childhood. In her small apartment, looking for a way to re-integrate into society.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

A curious couple, whose existence takes place where art arises along a singular metaphysical desire. They search for it through repeated and varied representations, in a setting of light where hope and desperation blend together.

