
Acting
Aleksandr Nikolaevich Baluev (Russian: Алекса́ндр Никола́евич Балу́ев; born 6 December 1958) is a Soviet and Russian theatre and film actor who appeared in more than 100 films and numerous stage productions since 1980. Aleksandr Baluev was born in Moscow, Russian SFSR, Soviet Union. He graduated in 1975 from Moscow School No. 637. After unsuccessful attempts to enter the Boris Shchukin Theatre Institute he worked for a year as assistant illuminator in the light department at Mosfilm. The second attempt was more successful, with Aleksandr entering the Moscow Art Theatre School on Pavel Massalsky's course. In 1980, he successfully completed the training and became an actor of the Soviet Army Theatre. The first role in his theatrical career was playing in productions of Clock Without Hands and Lady of the Camellias. In 1986, Aleksandr Baluev went to the Moscow Yermolova Theatre, playing leading roles in productions of The Second Year of Freedom, Snow Near the Prison, and Caligula. In the late 1980s, Aleksandr Baluev left the theater. He is now active in the enterprise and collaborates with the Lenkom Theatre.

When a train carrying atomic warheads mysteriously crashes in the former Soviet Union, a nuclear specialist discovers the accident is really part of a plot to cover up the theft of the weapons. Assigned to help her recover the missing bombs is a crack Special Forces Colonel.

Hijinks ensue when an amateur filmmaker, financially reliant on video piracy, must reshoot all the movies from a film festival before time runs out.

While vacationing in the countryside at his childhood home, a woman suddenly reveals to her husband that she is expecting a child – but not his.

The drama of a former noblewoman who became the wife of an NKVD officer in the 1930s, and the almost anecdotal story of how a spirited stallion was prepared for Marshal Budyonny's parade and, in the end, a reliable mare was "slipped in" instead. The realities of life at the top of the State Security Service are shown, their ordinary and "sweet" life with its joys, intrigues, betrayals, and tragedies. Russia is like a whirlpool that sucks in and destroys.

A docudrama about the escape of Russian pilots after being taken hostage by the Taliban in 1996.

Most of the action of the film takes place in the studio of a talk show, where a political scientist, a patriot, a pop star and other characters, led by the host, discuss the figure and legacy of St. Sergius of Radonezh. In the midst of recording, the Presenter suddenly finds out that his program is being closed. Having decided that he has nothing to lose, the Presenter goes all in and seeks, first of all, to "expose" the church, the authorities, and his interlocutors... But the effect is not at all what he expected. In the heat of a lively and even furious polemic, we begin to see the true Sergius of Radonezh, and in episodes of history, as in a mirror, we guess the problems of modern Russia.…

Former criminal investigator, Major Korenev, nicknamed Fox is released from prison. He has been detained there as a result of planted incriminating evidence of unlawful investigation techniques. Setting accounts with Shaman - a big criminal boss, who ordered the evidence planted and also with his former colleagues was not a part of Korenev's agenda. As he returns to Moscow he finds a new world ruled by underworld bosses, criminal clans fighting each other and utter chaos on the desperately keeping appearances streets of Russian capital. Facing death of his friends, Major Korenev decides to re-install law and order using some unorthodox methods that are only relevant in 21st century Russia.

The film tells a story of an agent betrayed by his partner when transporting new psychic weapon. Believed to be dead, he escapes and takes new identity so he can live in peace far away. But later he is forced to return to Moscow to confront a secret organization, led by his former partner, that attempts to use the dangerous weapon in order to take control over the country. Now he is a key figure in the battle between forces of darkness and light.

Accidentally finding themselves in a half-abandoned hotel, the apparently happy newlyweds get acquainted not only with its strange owner, but also with each other's unsolved secrets. Will the lovers be able to maintain a relationship after what they have heard? Earn forgiveness? And if the truth is really capable of liberating, then which of them?

Accidentally finding themselves in a half-abandoned hotel, the apparently happy newlyweds get acquainted not only with its strange owner, but also with each other's unsolved secrets. Will the lovers be able to maintain a relationship after what they have heard? Earn forgiveness? And if the truth is really capable of liberating, then which of them?

Accidentally finding themselves in a half-abandoned hotel, the apparently happy newlyweds get acquainted not only with its strange owner, but also with each other's unsolved secrets. Will the lovers be able to maintain a relationship after what they have heard? Earn forgiveness? And if the truth is really capable of liberating, then which of them?


