Prishtina, Kosovo. Mark works as 'an international employee'. One night he meets three local girls in a bar: Besa, her girlfriend Hana, and Shpresa. Mark is attracted to Shpresa's extreme passion, but the romance is soon shattered. Her mood swings from passionate love to hate and death threats in a matter of seconds. For Mark this is hard to handle. He believes Shpresa might suffer from borderline personality disorder. As he wants to confront her, she starts pushing him away. Hana and Besa's relationship is also in danger, but for a completely different reason: Hana is afraid of the social stigma that love between two girls carries in the deeply conservative and patriarchal Kosovo.

The film story is based on a time-out when the characters from Vandot's stories about boy Kekec grow up. Rozle becomes the village priest, Mojca goes to work in the city, Bedanec becomes a village dormitory, Kosobrin is a slightly more modern herbalist, and Kekec remains a shepherd, but only slightly grows. Through all the narrative, Kekec wants, and he is very determined, to marry in a short time with Mojca, who is entrusted with his director Feri. A couple of times, they crash into Kosobrin's village after a drop of Mojca's painful eyes. Kosobrin and Bedanec still do not understand best. Bedanec still wants to get rid of Kosobrin's mysterious recipes and Kekec still protects him, but with increasing problems. Kekec's decisiveness, courage, and strength were broken by his unheard-of love towards Mojca. All this illness can only relieve the true flower.

In the start of the breakup of Yugoslavia, in spring 1991, there is a group of young conscripted soldiers in a remote military outpost. Their army and country are falling apart and the war is starting nearby. Friends are facing a decision of their lives: should they stay or run?