María Luisa Bemberg was born into the highest echelons of Argentina’s society. Her family founded Quilmes, the nation’s biggest brewery, which expanded into a multinational. Bemberg, home-schooled by the best teachers and tutors, grew up in a social bubble. And she never made a secret of this, in as far as many of her films are set in the upper classes of different eras and narrate the politics of their respective periods through the prism of female opportunity, or the lack thereof – what could a woman do, behaviour in extramarital affairs included? Class, more often than not, was a trap, even if it might offer opportunities that many are denied. With María Luisa Bemberg: El eco de mi voz, Alejandro Maci paints a detailed and multifaceted picture of Argentina’s greatest female filmmaker, in which family and colleagues get their say as much as Bemberg herself, thanks to myriads of private and public recordings.

This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy Martínez’s novel to the small screen.

This special will lift the curtain to showcase the work of both onscreen and offscreen talent behind the Star+ original series, “Santa Evita.” Exclusive interviews and footage will transport viewers backstage as they learn how the directors, writers, actors and actresses, and the production team brought Tomás Eloy Martínez’s novel to the small screen.

In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

This drama is based on a novel and incomplete screenplay by the late Maria Luis Bemberg. In 1930s Argentina, wealthy Sebastian (Antonio Birabent) leaves his Buenos Aires home for the family estate on the pampas. His family, concerned for his physical and mental health, arranges for Sebastian's childhood friend Juan (Walter Quiroz) to check on Sebastian's situation. Juan finds the highly erratic Sebastian caught in a doomed relationship with the Danish daughter of religious sect members. Unfortunately, Juan also becomes obsessed with the young woman, and Sebastian's suspicions increase.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Enrique Hubermann, homeopathic physician, travels in flight from a love. By a joke of fate, in that distant place he meets the woman he wants to forget, a beautiful young woman like a demon who manipulates men and triggers dangerous passions.

Irene is a magazine editor living under the shadow of the Pinochet dictatorship in Chile. Francisco is a handsome photographer and he comes to Irene for a job. As a sympathizer with the underground resistance movement, Francisco opens her eyes and her heart to the atrocities being committed by the state.