
Acting
Alejandra Gollas, a bilingual actress, was the recipient of an Ariel Award nomination as Best Supporting Actress (the Mexican equivalent of an Academy Award) for her role in Efectos Secundarios (Side Effects), the first Warner Brothers' premium feature produced and filmed entirely in Mexico. She began her career as a child actress on the Mexican stage, coming to prominence at age 11 for her acclaimed portrayal of Helen Keller in "The Miracle Worker." She went on to become a national phenomenon portraying Adrianita in the telenovela "Quinceañera." In the award winning short "Liminal," directed by Stephen Keep Mills, Alejandra won Best Actress Awards at The Tregor Film Festival, The Levante International Film Festival and The Festival Du Film De Strasbourg. Recent film credits include Fidel, El Viaje de la Nonna, 31 Dias, Pulling Strings and Compulsion. Love is Not Love, directed by Stephen Keep Mills, provides her first lead in an English feature film. It had its world premiere at Cinequest Film Festival in March 2020. Alejandra won Best Actress Awards at The New Renaissance Film Festival and The Rosarito International Film Festival.

Julia and Moises fell in love and got married when they were young, idealistic, and passionate; now in their 30s, their marriage has cooled and their lives have sunken into the mediocrity they had sought to avoid. This realization inspires a quest to regain the lost dreams of their youth, which is complicated when a handsome student begins to pursue Julia. She begins an affair with the fiery young activist that may just put the excitement back into her marriage. This is a funny and insightful exploration of the intricacies of relationships, love, and idealism, and Jesus Ochoa as Moises turns in a stellar performance.

A woman is questioned about whether she loves her fiancé.

When a magical artifact is lifted from his library, a meek librarian sets out to ensure its safe return.

A scientist, Dr Hollander, takes his niece Miranda to Mexico in an attempt to reverse the effects of the alien DNA he used to create her. However the treatment goes horribly wrong, and sets Miranda on a killing spree as she sets out to find a mate.

At 18, fresh from high school, Marina, Ignacio, Adam and Mimi, school mates bonded by fate, shared a dream about adult life, a dream of fame, success, perfect skin and that one endless, true love that, surely, was waiting just around the corner for each one of them. But 30's arrived, and none of the sweet promises of youth was fulfilled. Alone, failed and frustrated, all four are forced to stop and look around to try to understand where it all went wrong, and find an emergency fix for their lives, before it's too late, and happiness escapes through their fingers forever. Secondary Effects is the bitter coming of age comedy that follows their steps in the search for lost dreams, lost hair and good sex, at least, if true love turns out to be a mirage.

31 Dias (31 Days) is the story of Eva (Irán Castillo), a young and beautiful psychologist and author of a series of self-help books about modern women and their love relationships. For her next bestseller she has decided to prove her most daring theory: After the first 30 days together love ends, so the only way to have a meaningful relationship in this new millennium is when the couple part ways after the first month. At a magazine's photo session Eva meets Adam (Lorenzo Balducci), an attractive Italian photographer, and she decides he's perfect as her study subject. She will live a very intense relationship with Adam during 31 days, in order to prove her theory is right. However, what she is not aware of is that Adam is using her own advice from her books in order to make her fall in love with him and teach her a lesson. What neither of them suspects is that they'll come to learn that love has no rules.

A single mother who loses the custody of her son and struggles to make amends for her past mistakes. She pleads for a chance to bring him back home.

Mexican feature film

A romantic comedy of our times about passion, friendship and lies, on one of those days when the city and its inhabitants go crazy and anything seems possible. Diego and Silvia meet each other and fall in love thanks to their masterly lies. The morning after, with their respective friends, they remember the encounter and slowly begin to realize how sincere and honest that relationship was. When the opportunity arises, both struggle to meet again on a day in which a sudden and unusual disorder reigns in Mexico City.

Centered on the six years before the fall of Batista's dictatorship and the subsequent 40 years of the Cuban Revolution.
