After living for over two centuries, Augusto Pinochet is a vampire ready to die… but the vultures around him won't let him go without one last bite.

At the beginning of the summer of 1986, a group of actors and actresses directed by Andrés Pérez, put on the street the play “All these years” presented in front of the Cathedral of Santiago, the Bellavista neighborhood, the La Bandera district, the Parque O'Higgins, Plaza del Mulato and many other places in Santiago. Armed with megaphones, costumes, musical instruments, giant dolls, stilts and banners, they set up shop in different parts of the city where they raised scaffolding on which they climbed to summon the public to witness their show of singing, music, dancing and pantomime in the who told stories that quietly delved into the events of the last years of the military dictatorship at the end of the 1980s. 25 years passed, Andrés Pérez had died and the street actors became references in theater and television, when Flores returned to the eighties images to create this tribute documentary.

Based on real events, 17-year-old Johnny García becomes involved with four older thugs who are planning to rob a money-laundering business masquerading as a video store. As they try to escape, a swarm of exploitative media attention awaits.

Santiago, capital of Chile during the Marxist government of elected, highly controversial president Salvador Allende. Father McEnroe supports his leftist views by introducing a program at the prestigious "collegio" (Catholic prep school) St. Patrick to allow free admission of some proletarian kids. One of them is Pedro Machuca, slum-raised son of the cleaning lady in Gonzalo Infante's liberal-bourgeois home. Yet the new classmates become buddies, paradoxically protesting together as Gonzalo gets adopted by Pedro's slum family and gang. But the adults spoil that too, not in the least when general Pinochet's coup ousts Allende, and supporters such as McEnroe.

Ivan keeps a 15-year-old Natalia hostage since she was a little girl. The repressive regime seems not to refrain them from forming a sort of family bond. They begin struggling with each other when the girl's sexuality awakens. Ivan desires her love and companionship.

The seductive quality of the night of a saturday where both the rich and the poor experience the drunken urgency of the party and the clock.

A small house is devastated by the irrepressible force of the Ñuble river. Anita is rescued from the riverbank while her parents disappear into the water. She is given in adoption to her godparents, who can not keep her, they turn her over to a large hacienda in the area, where the little one will be the companion of the sickly patron, Lucia. When the owner of the hacienda dies, Anita, disregarding the advice of the other servants, stays to serve the boss, Don Pablo. She is already a woman and he is a single man. A strong attraction emerges between the two. This sad story of love and revenge as strong and uncontrollable as the overflowing waters of the Ñuble River.

This is a film about the life of a family of marginal thiefs, and how destiny punishes each and every one of its members. A constant contrast between a violent and a domestic world, in which violence, humor and irony, give a new layer to the social and moral conflicts of the characters. A lost house in a forest, an underground bar, a prison, a bus, fields and highways, are the spaces on which thieves, truckers, cooks and hookers collide.

Pancho Veloso, an old writer of celebrity articles, returns to his hometown of Chilean Patagonia after more than 40 years of having fled. When trying to write "salable" stories about that area so called "the end of the world", he will face his past and leave his imposture.

Ninón, singer, decides to escape from her frustrated love life, and leaves in search of an old love, finding on the way Alberto, who is on the run from the police