Jesús María Carmona is a small-time crook who poses as a cop so he can rob a bank. A few days before the day he planned to do it, a guerrilla group robs the same bank and Carmona is shot to death defending it when he has no other choice but to act as a policeman. Soon after, his image becomes a symbol for the police and he is honored, but his identity is found out. Meanwhile, in the neighborhood where he grew up his effigy is burned as he is now considered a traitor.

1964, in a Latin American country, a journalist is head of an armed liberation movement that decides to initiate radical actions. His second in command, a farmer, and the other members of the group will kidnap a north american colonel stationed in Venezuela to force his government to suspend the execution of the vietnamese Nguyen Van Troi, accused of trying to assassinate the American Secretary of Defense, Robert McNamara.

A skilled worker has a sudden nervous breakdown at the company for which he has been working for the last 20 years. He attacks the machines and smashes the windows. The company decides to have him undergo treatment with a well-known young psychiatrist. She will try to bring light the reasons for his behavior so he can adapt himself to his work once again.

A skilled worker has a sudden nervous breakdown at the company for which he has been working for the last 20 years. He attacks the machines and smashes the windows. The company decides to have him undergo treatment with a well-known young psychiatrist. She will try to bring light the reasons for his behavior so he can adapt himself to his work once again.

A skilled worker has a sudden nervous breakdown at the company for which he has been working for the last 20 years. He attacks the machines and smashes the windows. The company decides to have him undergo treatment with a well-known young psychiatrist. She will try to bring light the reasons for his behavior so he can adapt himself to his work once again.

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

Portable Country is a classical Venezuelan film about the urban guerrilla. Based on the novel of the same name, written by Adriano González León, the film centers on Andrés Barazarte, a disillusioned man from a wealthy landowning family, who grapples with his personal and political identity in the midst of Venezuela's tumultuous social changes and engages in the guerrilla. He reflects on his life, his family's decline, and the broader struggle for power in a country torn between tradition and revolution.The story unfolds as Andrés is tasked with transporting a mysterious package. This journey becomes a metaphor for his search for meaning and a confrontation with his family’s, and his country's, violent past. His recollections weave together with present events, creating a complex tapestry of memory and history.

Luys Forest is a writer with a Falangist political past. He lives isolated in a coastal town, writing his memoirs (actually rewriting and adapting his autobiography with the times), and brooding over his failed marriage. His sister is worried about him and decides to send her daughter Mariana to stay with him. Mariana and a seemingly mute and artistic lesbian companion come to town to shake the stable world of Luys with their free and uninhibited ways. Soon begins a game of seduction that ends up exposing the intellectual game of Luys.

María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.