In this documentary, giants of italian cinema such as Rossellini, De Sica, Fellini and Zavattini talk about the importance of cinema after WW2, and about huge moments of social rebellion. This movie gives the floor to the creators of italian neorealism.

A notorious mondo film depicting unbelievable and bizarre rituals, animal killing and cruelty, and people being killed and eaten, all by either animals or humans against each other or themselves.

On June 30, 1990, in Rome, Marie Christine is getting ready to take her son Pietro and Paolo to their father for the weekend. As the Football World Cup is taking place in Italy, Rome is flooded with supporters; the traffic is chaotic and French-born Marie Christine, who works as a translator, finds a bag that belongs to Miriam, who must leave the next day. Marie Christine decides to find her to return her passport, but one Giuliano Ferrini tries to prevent this. So Marie Christine finds herself navigating through a hot Roman night in a city she doesn't know, among people she never dreamed could inhabit the same city.

A journey back through Dacia Maraini's and her trips around the world with her close friends cinema director Pier Paolo Pasolini and opera singer Maria Callas. An in-depth story of this fascinating woman's life. Maraini's memories come alive through personal photographs taken on the road as well as her own Super 8 films shot almost thirty years ago.

Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.

A film of Enrico Berlinguer's funeral in Rome, briefly tracing his career as leader of the Italian Communist Party.

Rudolf a nazi officer falls in love with Ester a jewish singer and tries to save her from deportation hiding her in the Monastery of Santa Chiara.

Portrait of novelist Alberto Moravia filmed in Rome.

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

Artists and poets meet in a dreamlike space between walks and performances.