Albertina Carri Movies, TV Shows, and Filmography
Albertina Carri
Directing
Biography
Albertina Carri (born 1973, Buenos Aires) is an Argentine screenwriter, movie producer, movie director and audiovisual artist. Carri was born in Buenos Aires in 1973, where she currently lives and works. She is the daughter of Ana María Caruso and Roberto Carri, both abducted during the last military dictatorship in Argentina. She has a son, Furio Carri Dillon Ros, registered in Argentina using a so-called triple filiation; he is son of a father, Alejandro Ros and two mothers, Albertina Carri and Marta Dillon. From Wikipedia, the free encyclopedia
Filmography Movies
Acting
Rustlers
Albertina Carri wants to make a film about Isidro Velázquez, an almost mythical outlaw figure from northern Argentina who was shot dead by police in 1967. She’s not the only one interested in him: her sociologist father Roberto Carri wrote a book on him called “Pre-Revolutionary Forms of Violence” and a film was made about his story, although both father and film disappeared during the Dirty War. Legends, families, political alignments, cinema: none offer a stable foothold and Carri’s passage through them is like wandering a garden of forking paths, only to arrive at a landscape of cracked earth and thorns.
The Blonds
In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.
White Roses, Fall!
In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.
Mi mejor escena
White Roses, Fall!
In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.
Production
White Roses, Fall!
In this genre-hopping road movie from Daughters of Fire director Albertina Carri, Violeta, the director of an amateur lesbian porn hit, is invited to make a mainstream crossover. With a budget and cast, but no firm idea where to go, the crew head off on a road trip in search of their perfect film.
Intervened Archives: Cinema School
Continuing the series started with Intervened Events (2014), the Buenos Aires Film Museum presents the second feature film made entirely with material from its archives and by fourteen outstanding Argentine filmmakers. These are nine issues of Cine Escuela Argentino, a project created in 1948 by the Argentine Ministry of Education during the first government of Juan Domingo Perón. The latter promoted “the use of the cinematographer as a didactic assistant destined to complete the educational and cultural work, mainly in what concerns exalting the feelings of the nationality, with the heroic example of the heroes, Christian morality and the multiple civil duties, great and small”. Hence, most of the films produced by Cine Escuela Argentino were aimed at scientific dissemination and tourism promotion of the various regions of the country. (Museum of Cinema)
The Blonds
In 1977, when she was four years old, Albertina Carri's parents vanished without a trace, victims of Argentina's brutal military junta. In this fresh and politically daring film, the young Argentinian filmmaker attempts to unravel the mystery, piecing together her memories and fantasies in a quest to understand her parents' untimely fate.
Barbie Can Also Be Sad
Stop-motion animation featuring Ken and Barbie dolls. Engaging in sexual (and some rather kinky) activities. Also some violence. The plot evolves around troubles in their marriage, due to Ken being a jerk. Will Barbie find happiness?
Barbie Can Also Be Sad
Stop-motion animation featuring Ken and Barbie dolls. Engaging in sexual (and some rather kinky) activities. Also some violence. The plot evolves around troubles in their marriage, due to Ken being a jerk. Will Barbie find happiness?
Silvia Prieto
After her 27th birthday, Silvia Prieto decides to take charge of her life and make some changes. At the same time, she suddenly finds herself intertwined in the life of another woman who is also named Silvia Prieto.
Palabras ajenas
Made between 2021 and 2022, the medium-length film pays homage to the eponymous work by artist León Ferrari, a literary collage created between 1965 and 1967 in the context of the Vietnam War: it replicates its method through a montage of archives from the confinement caused by the pandemic. What do we do with the information debris that passes through our bodies? From this question, the filmmaker composes an ecology of the image/archive, recycling alienating, banal, ridiculous, excessive, and/or hateful spam in the face of other voices of resistance.
De vuelta
Margarita and her father go on a merry-go-round. As she rides on her plastic horse, Margarita begins to travel back in time until she encounters a harrowing and terrible episode in her and her father's shared history.
De vuelta
Margarita and her father go on a merry-go-round. As she rides on her plastic horse, Margarita begins to travel back in time until she encounters a harrowing and terrible episode in her and her father's shared history.
I Don't Want to Talk About It
In an Argentine village in the 1930s, the willful Leonor discovers that her beloved daughter, Charlotte, has dwarfism. Attempting to let her have as normal a childhood as possible, Leonor never discusses Charlotte's lack of stature, nor lets anyone else in the village ever mention it. As Charlotte grows up into a smart and self-possessed young woman, local eccentric Ludovico, who collects miniatures, becomes smitten with her.
Gallery
