After a long absence, forest ranger Hans Freese returns to the heathland village of Undeloh, where he spent his childhood. Here he meets his childhood sweetheart Rose again. A sophisticated publisher from Hamburg and a group of gypsies cause all sorts of complications, but thanks to these, Hans and Rose are finally able to be together.

The story is one of the classic operetta stories with a young princess destined to marry a king whom her mother tries to enforce while the young woman tries to escape her fate.

Jule (Heidemarie Hatheyer), a 25 year old women is not having an easy life. Her cousin Stefan Rüdiger (Albert Matterstock) has left "manor Jobshagen" as an 18 year old and Jule has had to manage business since then. Her uncle, Stefan's father, never could get over the leaving of his son and isolated himself from the world. Jule, once a blithe youngster, became a tough woman by the time. And there are heavy debts on the manor Jobshagen, 6000 Marks. The innkeeper Meyer could give Jule the money, but he wants a big part of the estates of manor Jobshagen for exchange and that is the last thing that Jule would accept.

Resolute Ellen takes over the operations of the Grand Hotel "Paradise" from her father and immediately goes into action to increase profits. The first thing she does is turn off the flow of money to a theatre her father was financially sponsoring. Then she throws the charming flirt Count Wetterstein out on his ass after not having paid his hotel bill for two weeks. The alleged count takes on a position as a waiter in the "Paradise" and as Ellen has, in the meantime, fallen for him, she puts him in a managerial position, where he can't so easily flirt with other women. But Wetterstein is being pursued both by the police and creditors and disappears in quick order once again.

Pierre Pasqual has just about everything his heart desires: in his career as a commercial pilot, he is well known and successful; he has wealth and a beautiful wife. The only thing is, that because of his career, Pierre is frequently away and the thought constantly tortures him, that his wife is up to something when he’s not home. “Who’s kissing Madeleine?” is the question Pierre must have answered.