The Hamburg friends Walter, Ricco and Floyd take each day as it comes between the estates of tower blocks and fast food restaurants. All three are in their early twenties and are dreaming of another life when Floyd suddenly takes a job on a freighter going to Singapore.

The two twelve-year-old girls Charlotte Palfy and Louise Kröger meet on a language trip to Scotland and discover that they are twins who were separated shortly after birth. Charlotte, the daughter of a music hall composer, is cool, self-confident and cheeky, dresses accordingly and listens to techno music. Louise, who grew up with her mother, an advertising executive, wears more "old-fashioned" clothes, is shy and reserved, but conscientious and orderly. Determined to play fate, the two swap roles - at the end of the journey, Louise travels as Charlie to her father, who works as a composer in Berlin-Kreuzberg, while Charlie travels as Louise to her mother in Hamburg, where she works in an advertising agency. The girls realize that getting their parents back together is not as easy as they thought.

A bearded director named EVA, a fictive Rainer Werner Fassbinder, lives in a large house with his cast and crew as he films Dumas' Lady of the Camellias. His accountant informs him he has many unpaid bills and little cash on hand. EVA throws a fit and fires him. He then proceeds to play one person off against another, dismiss with cruelty his recent lover Ali, sleep openly with his leading lady Gudrun, and make a direct and public play for his leading man, Walter. He's mercurial, dictatorial, and manic. Will he finish the film, having drawn great performances from his actors through his manipulations, or will his antics set events in motion that spin out of his control?

Seitz has been abusing his underage daughter for years and is the father of her first child. He is a brutal perpetrator of violence and has several relevant criminal records. When Tanja confides in her new boyfriend, he persuades her to go to the police. Seitz is sentenced and threatens to beat Tanja to death while still in court. Tanja and her boyfriend have long been married and have children of their own when, after seven years, fate catches up with them again: they are terrified of Seitz, who is soon released from prison and threatens revenge. Tanja and her family turn to the authorities in vain. They can only intervene if there is a concrete threat. But then it will be too late, Tanja fears. Too late for her children and herself. Together, the family gets a rifle...

During a school trip to Prague a group of friends leave the hotel and party through the night.

It's perfect pandemonium when Bibi and Tina meet a runaway boy with an attitude problem, who turns out to actually be a girl, named Adea. Adea‘s uncle is so narrow-minded and stubborn that even with all her magic spells, Bibi can't manage to get the two to reconcile. Meanwhile, Falkenstein Castle is being renovated, which is driving the Count to his wits' end. Especially since Alex is planning to hold a music festival at Falkenstein and is determined to go through with it over his father's objections. And if all that was not enough, Tina gets kidnapped. Despite the complete chaos, one thing is clear - in the end, real change comes from everybody working and pulling together, not by magic.

A prisoner in JVA Weißenburg takes a staff member hostage, prompting Prison Director Ella Jansen to enter the cell in exchange, relying on negotiation. When a special unit’s imminent arrival drives the inmate to rage and sexual violence, Jansen is rescued but then becomes entangled in a ruthless political scandal and power struggle that overlooks individual suffering.