Popular neighborhoods that are open-air prisons. Where beauty flirts with violence. The kingdom of the insubordinate children, veterans of the lead. A garden of amputated flowers, which with crutches on their backs, still grow and dance.

An essay on the existential actuality of the human being located in the Argentinean here and now. A history of singularities, which are mostly traversed by violence and marginality.

A documentary that deals with the urgency and destiny of the country in electoral times.

Alan Garvey was born in the humble Carlos Gardel neighborhood, where he grew up knowing and understanding a daily life mired in marginality, with its codes, its blind alleys and forced social injustice. Since he was ten years old, he has painted, acted and made music, almost as an alternative to living with a particular reality. Today, at twenty, he has a debut album and directs his first short with Caótico, in which he crudely and intelligently captures his private world, illustrated in gestures of gang camaraderie, intense nocturnal trips and a flow huge.

Reality, glowing with anxiety, is dissected and reconstructed through editing to generate blocks of pure image-sound through a precarious camera that, for several years, travels incessantly from the confines of underdevelopment to the heights of European prosperity. From a working-class neighborhood in Buenos Aires to St. Mark's Square in Venice. From prison to the plains.

A group of friends from the Buenos Aires suburbs struggles to keep a rock band going, but time and again, material obstacles seem to push everything toward the abyss.