Anatole and his wife, both about seventy, have already lived together for fifty years. They still love each other, make love, joke about each other, avoid each other sometimes, laugh and row. Except that one morning, Anatole is discouraged. He has forgotten something important which he tries vainly to remember. Some things come back to him: an old debt, some panties and the name of flowers.

Parisian authorities clash with the Front de Libération Nationale (FLN) in director Alain Tasma’s recounting of one of the darkest moments of the Algerian War of Independence. As the war wound to a close and violence persisted in the streets of Paris, the FLN and its supporters adopted the tactic of murdering French policemen in hopes of forcing a withdrawal. When French law enforcement retaliated by brutalizing Algerians and imposing a strict curfew, the FLN organizes a peaceful demonstration that drew over 11,000 supporters, resulting in an order from the Paris police chief to take brutal countermeasures. Told through the eyes of both French policemen as well as Algerian protestors, Tasma’s film attempts to get to the root of the tragedy by presenting both sides of the story.

During the Cold War, the World Chess Championship clashed complete opposites - personal and political.

A chance meeting with Aie, a waitress with a strange name, will drive a 50 year old neurotic man, Robert, crazy.

An expatriated French novelist returns to Paris when she learns that her childhood home is being placed on the auction block.

French territory is threatened by a terrorist organization just before the presidential election. If the government doesn't answer its demands, programmed bombs will explode gradually on the national railway network. Despite the operation deployed by the anti-terrorist unit, the Home Office has no other choice but to call Franck Barrot, police superintendent well-known for his controversial methods, to neutralize the armed group. His investigation will lead him to the very top level of the terrorist organization: the government itself.

David, a young farmer from Cantal, has just had an idea: to save his farm from bankruptcy, he is going to set up a cabaret on the farm. The show will be on stage and on the plate, with good local products. He is sure, it can only work. His relatives, his mother and especially his grandfather, are more skeptical.