
Acting
Alain Bashung (born Alain Claude Baschung; 1 December 1947 – 14 March 2009) was a French singer, songwriter and actor. Credited with reviving the French chanson in "a time of French musical turmoil", he is often regarded in his home country as the most important French rock musician after Serge Gainsbourg. He rose to prominence in the early 1980s with hit songs such as "Gaby oh Gaby" and "Vertige de l'amour", and later had a string of hit records from the 1990s onward, such as "Osez Joséphine", "Ma petite entreprise" and "La nuit je mens". He has had an influence on many later French artists, and is the most awarded artist in the Victoires de la Musique history with 12 victories obtained throughout his career. Bashung's Play blessures (1982), Osez Joséphine (1991), and Fantaisie militaire (1998) have made multiple French lists of the greatest albums. L'Imprudence (2002) and Bleu pétrole (2008), the last two studio albums released during his lifetime, also garnered acclaim. Bashung died at 61 after a two-year fight with lung cancer. Alain Baschung (he later dropped the "c" from his surname) was the son of a Breton mother working in a rubber factory and an Algerian father, whom he never knew. His mother remarried, and at the age of one, Bashung was sent to Wingersheim, near Strasbourg to live with his stepfather's parents. He spent his childhood in the countryside, in a rather conservative environment, alongside a grandmother who did not speak French. He discovered music during his childhood, notably Kurt Weill's Mahagonny, and began to practice with a Rosebud harmonica offered to him when he was five. He also practiced basketball and cycling and sang in the church choir of Wingersheim. He came back to Paris in 1959, where he discovered the great chanson artists, and then rock artists such as Gene Vincent, Buddy Holly (whom he admired deeply), and Elvis Presley. While studying (before dropping out after he was awarded a BTS in accountancy from the École nationale de commerce in 1965), he formed a band called Les Dunces playing folk music and rockabilly. He later formed a band with musicians met in Royan, and then began to tour in restaurants, hotels and U.S. military bases. He began his career with his first EP, "Pourquoi rêvez-vous des États-Unis?" in 1966, which he wrote and composed. At the same time, he joined the RCA label to become a music arranger. He wrote songs for French artists. In June 1967, at the Palais des Sports of Paris, he was the opening act (alongside Noël Deschamps and Ronnie Bird) of artists such as the Pretty Things, the Troggs or Cream. In 1968, he released his first single, "Les Romantiques", which was largely ignored by the public and unsuccessful. Around that time, he dropped the "c" from his name and spent some time at the house of fellow singer Christophe. From 1972 to 1974, he composed some of the music and cowrote three albums and three singles (including "Marilou") for French rock singer Dick Rivers. In 1973, he played Robespierre in the musical La Révolution française by Claude-Michel Schönberg. ... Source: Article "Alain Bashung" from Wikipedia in english, licensed under CC-BY-SA 3.0.

Told in four vignettes, this existential comedy relates the exploits of four aspiring criminals who hope to improve their lot, but find that they might not have what it takes for a life of crime.


Gilbert, assigned to incinerate old banknotes at the Bank of France, lives with his wife, Gisèle, and his young son, Thomas. A few years earlier, he had formed a rock band with Serge and Gisèle's brother, Marc. The latter, abusing his naivety, make him believe that he has been robbed of a briefcase containing a million dollars and that, because of his fault, Marc is in danger of dying. The objective is to force Gilbert to put his incinerator out of order to facilitate the bank robbery. Gilbert refuses at first, then gives in. But he discovers that he has been cheated. To get revenge, he tells the police the date and time of the robbery.


Félix, operator of dodgem cars in a fairground, becomes obsessed by one of his customers, a mysterious young woman named Lola. Félix soon discovers that Lola is running away from her former boyfriend, a singer who continues to taunt her. Lola asks Félix to prove his love for her by murdering a man he does not know...

Detective Nestor Burma begins an investigation into the corrupt drug-ridden punk rock music world.

The collision between family life and career lies at the heart of this comedy hailing from France. A mother of two small children, Eva's life goes from stressful to insane when she is told that she is a project finalist for the design of a massive European hospital. She and her working husband Philippe try desperately to balance their commitments to their kids, careers, and themselves.

Clement, nine, curious about everything, wants to understand life. Camera in hand, he walks the streets of his small provincial town, following and studying "grown-ups".

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

In the sixties, the Drugstore "minets" were the best dressed, believed only in themselves and imagined themselves reinventing everything. The drag, the clubs, the first joints, the vacations on the Normandy coast, but also love and show-offs. Philippe and Marc do the four hundred tricks. Charlotte and Nathalie do the same on their side. Against a backdrop of Otis Redding and the Animals, a sentimental education before the upheaval of May 1968. The fury of living in a France that is bored.

Gilbert, assigned to incinerate old banknotes at the Bank of France, lives with his wife, Gisèle, and his young son, Thomas. A few years earlier, he had formed a rock band with Serge and Gisèle's brother, Marc. The latter, abusing his naivety, make him believe that he has been robbed of a briefcase containing a million dollars and that, because of his fault, Marc is in danger of dying. The objective is to force Gilbert to put his incinerator out of order to facilitate the bank robbery. Gilbert refuses at first, then gives in. But he discovers that he has been cheated. To get revenge, he tells the police the date and time of the robbery.

The plot is set in a post apocalyptic Junkyard where people take refuge from authority and are able to practice their fantasies and fetishes without being stopped by the police. These people are led by Emanou who is a sort of Messiah, who promises music rather than salvation.


Detective Nestor Burma begins an investigation into the corrupt drug-ridden punk rock music world.

Yves Dorget, major reporter in a daily newspaper, finds on an "affair" part of a simple news item Catherine Carré, his former friend, editor and chief and star presenter of a television newscast.
