An Indigenous man takes a Happy Thanksgiving wish very very personally.

Follows the life of Native Canadian Saul Indian Horse as he survives residential school and life amongst the racism of the 1970s. A talented hockey player, Saul must find his own path as he battles stereotypes and alcoholism.

An Anishinaabe man is restless and isolated in the city of Minneapolis, haunted by an ominous sense that he doesn’t belong. Shinaab eerily portrays Indigenous people’s dislocation and alienation on their own land as sinister and enigmatic forces.

A look at Ojibwe ideas surrounding the death process as a young man strives to honor his late father.

After her father’s violent death, Native American teenager Margo Crane flees down Michigan’s Stark River in search of her estranged mother. On the way, she encounters allies, enemies, danger, and the beauty of nature, all while coming to grips with her past and her own identity.

As MITZI BEARCLAW turns 25 years-old, she is faced with a tragic decision – stay in the big city to pursue her dream of designing hats or leave her boyfriend and return home to her isolated reserve to help care for her sick mother. Loyal to her family, Mitzi reluctantly returns to Owl Island to find that not much has changed. Her confidence and modern style clash with the sleepy, slow-paced island; the bullies are the same; the handsome HONEYBOY is still running the water taxi; and ANNABELLE, Mitzi’s mother is still as bitter and unloving as ever. She’s also reunited with her spiritual friends, FAITH, HOPE, and CHARITY who guide her as she navigates a year of anger, loss and love. Mitzi is soon surprised to find comfort in being home and starts to question her destiny.

When two unruly Native con-artists are forced to drive a cranky elder across the reserve so she can make peace with her long estranged and dying sister, it quickly becomes clear that a supernatural force is trying to halt the journey.