Three police officers are forced to go on the run when they get tangled in the death of a youth, a few days before the election.

An act of violence resonates through the night, touching upon the lives of different characters, who otherwise would not necessarily exist in each other’s daily narrative. The story is seen through the self contained world of seven characters as they drift along the otherwise mundane night meandering around the graphical symmetry of a ‘modern’ city. The story is based on excerpts taken from a novel by Haruki Murakami by the same name

When fate turns out chaotic for a bunch of connected lives in their pursuit of pleasure, survival and greed-peace becomes the absolute necessity of life and karma boomerangs.

‘Adrishya Jalakangal’ is said to be an unabashed depiction of what war and its consequences truly look like. “Adrishya Jalakangal is an attempt to look at the social menace of war from a common man’s point of view and be a strong artistic signature against war

‘Adrishya Jalakangal’ is said to be an unabashed depiction of what war and its consequences truly look like. “Adrishya Jalakangal is an attempt to look at the social menace of war from a common man’s point of view and be a strong artistic signature against war

Sudhi and Madhu are police officers at a small wireless police station on the hilltop. Amidst the heavy monsoon, they receive word that a woman`s body parts have been scattered all over Elaveezhapoonchira. Will they solve the mystery?

Based on a true incident, the film is about four men, who call themselves Ayyankali Pada, holding the Palakkad collector hostage demanding tribal land rights.

When the peaceful married life of a couple is unexpectedly disrupted by two youngsters with criminal inclination, the trials and tribulations connect the mobster lives of Thrissur by becoming a part of vengeance.

During the British rule, Thangalaan, a fierce tribal leader, and his tribe assist Lord Clement, a British General, to trace gold in their village. While searching for the gold, the villagers earn the wrath of Aarathi, an apparent sorceress, who Thangalaan sets out to stop with all his might.

Hari is a young, aspiring writer living in the countryside. Hari lives with his mother in their sylvan surroundings. His only excitement, perhaps, is the sight of the doctor’s young wife, filling him with hope of an opportunity for flirting. Sometimes, he visits Peter Sir, an old retired school teacher and widower. The two lonely men take pleasure in a curious game, over drinks and exotic dishes. They cut out obituary notices from a local newspaper, put them in a bowl and randomly pick them out, one at a time. They stake small amounts of money against each pick. The person who picks the older victim of death becomes the winner, and pockets the sum. From among the pictures they pick, Peter Sir recognizes two men, Shaji and Kuriakose, whose deaths tell entirely different tales—one of a murder and the other of love.