
Acting
From Wikipedia, the free encyclopedia Aitana Sánchez-Gijón (born 5 November 1968 in Rome, Italy) is a Spanish-Italian film actress. Best known for playing dramatic roles in Spain, Sánchez-Gijón is known in the United States for her portrayal of Victoria Aragon, a pregnant and abandoned Mexican-American winegrower's daughter who is helped by travelling salesman Paul Sutton (Keanu Reeves) in A Walk in the Clouds (1995). She has since built a reputation as an international star in films such as Manuel Gomez Pereira's Boca a Boca (1996), Bigas Luna's The Chambermaid on the Titanic (1997), Jaime Chavarri's Sus Ojos Se Cerraron (1998), Gabriele Salvatores' adaptation of the Niccolò Ammaniti novel I'm not scared (2003) and Brad Anderson's The Machinist (2004). Description above from the Wikipedia article Aitana Sánchez-Gijón, licensed under CC-BY-SA, full list of contributors on Wikipedia.

After losing her job as a computer programmer, Lucía decides to become a cab driver.

Trevor, an insomniac lathe operator, experiences unusual occurrences at work and home. A strange man follows him everywhere, but no one else seems to notice him.

Coy, a sailor without ship, banished from the sea by a navigation accident occurred during his guard, knows in an auction of naval objects in Barcelona to an attractive and mysterious woman, Tangier. This, in hard struggle with an Italian adventurer, Nino Palermo, manages to get a cartographic jewel of eighteen, the Maritime Atlas of Urrutia.

World War II vet Paul Sutton falls for a pregnant and unwed woman who persuades him -- during their first encounter -- to pose as her husband so she can face her family.

An English couple's holiday in Spain is interrupted when they discover a girl imprisoned in a cabin.

Malvivir tells in first person the secret life of the rogue Elena de Paz, a free, rebellious, thieving, ingenious, deceitful and fugitive woman who defies all the conventions of her time and pays the price of her freedom. A tragicomic journey to the dark side of the Golden Age, a reflection on freedom and survival and a rescue of the female picaresque literature of the Baroque.

For financial reasons, an aspiring actor begins working for a phone-sex enterprise. Through his new line of work, he develops relationships with two regular clients: Bill, an elderly homosexual, and Amanda, a mysterious femme fatale.

A couple's marriage falls apart after the death of their son. Based on Henrik Ibsen's "Little Eyolf"

The imaginary city of Vetusta, a symbol of anachronistic and oppressive traditions, is the realm of hypocrisy and intolerance that makes Ana Ozores's life unbearable and inevitably tragic.

The title refers to those strange coincidences that happen to us sometimes and that seem inevitable, like a product of destiny. Inspired by the experience of a Canarian child victim of cancer, the film is conceived as a Christmas story.



