A hopeful young girl named Anna faces a harsh reality when she meets with a Los Angeles photographer for the first time.

A group of protesters film a period re-enactment in a dilapidated 18th century house in a last ditch effort to save it from demolition. Through this film-within-a-film device, Paul Mercier’s satirical script gleefully blurs the lines between “real life” and dramatised events, while touching on a dizzying range of themes such as art, historical truth and conservation. The film is fuelled by an anarchic energy and propelled by Mel Mercier’s driving score.

Jake, a by the numbers single dad, sets off on a cruise with his quirky family and his childhood friend Reuben. Onboard, he unexpectedly crosses paths with Meg, a woman he once had an awkward date with on the mainland. As they get a second chance to connect, Jake and Meg discover that while neither of them is perfect, they might actually be perfectly imperfect for each other.

Follows a group of teenagers navigating first loves, forging new friendships, and embracing the exhilarating journey of coming-of-age during a life-altering night.

Two Girls One Crown: Who’s The Real Heiress follows Hailey Kaplan, a wealthy heiress who longs to escape the “nepo baby” label and live a normal high school life. Going undercover, she hides her true identity, only to have Candice Mathis, the daughter of her family’s maid, steal it and present herself as the glamorous Kaplan heiress. Candice quickly rises to popularity, bullying Hailey and fooling the entire school. Choosing patience over exposure, Hailey waits for the right moment to strike back. But when Candice’s lies begin to threaten Hailey’s friendships and love life, the real heiress decides to fight back, determined to unmask the imposter and reclaim her crown and dignity.