Adapted from a sex-stuffed cult novel, LALAPIPO (a play on the phrase “A Lot of People”) follows divergent seedy strands of sexual and narrative spaghetti through the sticky Tokyo night. There’s a chubby freelance writer who’s so obsessed with masturbating to the sound of his upstairs neighbors going at it that he forgets to deal with his own love life and when he finally does have sex he is immediately filled with self-loathing. The upstairs neighbor’s story then splits off like an amoeba: she’s an office lady seduced by a “talent scout” who is falling down the sex industry ladder, moving from hostess, to massage girl, to private karaoke attendant. The talent scout’s story then splits off and runs in its own direction, revealing the sorry state of this young pimp’s soul. From there, the movie takes more and more time to consider the lives of more and more characters until the entire Japanese sex industry is filled with the wailing of lost souls.

After a noodle-loving time traveler shows up, Shin-chan and his parents transform into superheroes, fighting monsters three minutes in the future!

In 2030, AI is everywhere including the medical field, finance and security. Artificial intelligence has become essential in people's lives. They have come to completely trust AI, but artificial intelligence becomes out of control and it causes disaster.

Forty years after leaving Japan for a boxing career in the U.S. that never panned out, Jin returns to restart his life with his old boxing buddies. When hotheaded young boxer Shogo asks for Jin’s help to get him back into the ring after an unfair loss, the two men decide to seize their final chance at glory. A boxing film so authentic that it inspired co-star Yokohama Ryusei to qualify as a pro boxer, Zeze Takahisa’s boxing drama is one of the veteran director’s most crowd-pleasing films thanks to the touching father-son bond at its core.