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Teo Hernandez films waste and scrap found on the pavements of the streets of Paris. “Sidewalks are great subjects: garbage, objects and materials, stains, signs, are a movie subject.”
Reel 33 of Gérard Courant’s on-going Cinematon series.
One of my last films to be made indoors was La vie brève de la flamme. I used light in a very expressionist manner — still with the technique of a very active camera. (T.H.)
A gong will never abolish chance? If chance is travesty of desire, and desire movement without measure, cinema is vibration of this desire in fugue.
Teo Hernández films some friends in a park under the Parisian summer heat.
