Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.

A couple must hold on to $100,000 for 24 hours as they wait to buy a house. As the time ticks by, the true nature of their love unravels.

Without a doubt, Angélica is having a crisis. Her mother died recently, she has to empty out her childhood home because it is going to be demolished, she doesn’t seem to have gotten over her split with her ex, and she is about to turn 40. Without any idea about how to deal with any of these things, she escapes to the past: she secretly hides in her childhood home and, while the walls fall around her, reality becomes hazy. Hidden in her house, that is both a shelter and a trap, bit by bit Angélica loses herself, fusing with her mother. Delfina Castagnino creates an elliptical and sinister tale, sowed with disturbing sounds and shadows, a film in which a framing, a musical note or a camera movement can transform peeling wallpaper into a threat, or the projection of a slide image into a ghost. And so what could be a family drama becomes a psychological thriller: Angélica turns mourning into a tale of horror.

Helmut has been working as a private investigator in San José for almost ten years. One night he receives a call from his ex-partner: their teenage daughter, Ámbar, is in a coma as a result of a run over. After fifteen years without knowing anything about Ámbar, Helmut discovers unusual circumstances surrounding the supposed traffic accident, which will result in an obsessive investigation that will force him to face his lost fatherhood.

Fernando, a naval officer, arrives in the city of Rosario to work on an oil tanker. But his move seems to conceal other motives.

While their son sleeps, Jazmín and Marcelo pack their bags for their last vacation before separating. Gaspar’s upbringing, possibly within the autistic spectrum, has marked a distance between them. Amidst blame and reproaches, a moment of playfulness emerges, perhaps a bridge to reunite.

When a woman is admitted by her daughters to a psychiatric clinic for her carefree ways, an expert must judge if she is ill or simply wants to enjoy life.

Ana and Lucio invent a religion and found a small cult in a closed, wealthy community. They perform rituals, pray, and work in a garden where they grow a psychoactive plant for their ceremonies. Mara, searching for her brother Damián, joins the community. Initially idyllic, the cult reveals a dark side. Mara connects with Lucio after consuming the plant's pollen, hallucinates, and discovers Ana's sinister plan. When she tries to escape, she discovers the end of the world.