A story of Kundel, a boy searching for his place in life, his identity. After running away from an orphanage where he is treated as an outcast among outcasts by both his peers and the adults in charge, and being rejected a second time by his alcoholic mother, who had earlier abandoned him, the resolute 11-year-old finds a "home" on a deserted old barge on the outskirts of his hometown. He is still an outcast, but he is an outcast on his own terms, rejecting both patronizing charitable gestures and coercion by local thugs. In the process he makes one true friend, a girl from an affluent family who is also an outcast, despite living in material comfort.

Ksawery is a young gay man who performs as drag queen in a Warsaw nightclub. Karolina is Jewish and seems to be his agent. Jan is Ksawery's lonely grandfather, who's been hiding a dark secret which the couple wants to reveal.

A story about love and hatred, about those who cheat and who are cheated, about violence and sex and surprising secrets which we learn within these strange twenty four hours.

The lives of a Hassidic young man (Yoyli) and a Polish young woman (Mariola) intersect when they find themselves secluded in a car after he offers her a ride home. This, after Yoyli and his mother picked her up from a street corner in Williamsburg, Brooklyn, where Polish, immigrant women wait to be taken to Hassidic homes to help with the cleaning of their house. In the movie they negotiate the labor at $8 an hour. After scrubbing and scouring for a bit, and after observing a world that is completely foreign to her, Mariola succumbs to the toxic fumes of the cleaning agents and falls and faints. After regaining consciousness, she leaves the house in an angry huff. At the prodding of his sister and father, Yoyli goes out to find her and offer her a ride. She accepts not realizing the differences of their worlds that would place the two young people in a tense and heated situation that is never fully resolved.

The story unfolds about the murder of an old man living in a remote village and six locals who may have been connected with the murder. Things get messy when the dead man turns out to be an ex convict. The accused ones find it very hard to deal with the preconceived attitude. The villagers, led by the families of the accused, have to fight for their innocence.

Affected by the powerful images in the pamphlet Om kriget kommer (If war comes), farmhand Karl-Göran Persson begins fortifying his house. Through years of harvesting scrap-metal, he transforms the house into a fortress, meant to protect him and his neighbors when the enemy attacks. As the task progresses, reality and the threat of future destruction become intertwined, and construction becomes an obsession for the lonely Karl-Göran.

11-year-old Mickey House is no longer a child. But who is he? He doesn’t know. He’s friendless. He doesn’t understand his mother. He hates what’s happening to his body. Reality and imagination come together in a toxic mix. Events escalate to extremes… at home and at school. Mickey has to find the strength within him to put a stop to what’s begun. Where will his encounter with his own maturing body take him?

Emeryka loses control of her life through the intrigue of a mysterious character named The Something and is led to an adventurous escape to a female sect, for which she has to leave her daughter behind. It is a story about the right to choose how each person defines themselves in terms of gender and sexuality.

Karol Radziszewski reconstructs Ryszard Cieślak’s biography on the basis of surviving fragments of performances, recordings of rehearsals, letters, and interviews. He hires a group of young men and tasks with attempting the famous final scene from The Constant Prince.

Gerda meets Little Robber Girl in the Berlin subway. There’s only ten, twelve hours until they’ll part ways. The mutual interest turns into love affair and all that ends in the morning. But still there’s a sea of the city to float by night.