Acting
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An exploration of the nexus of art, race, and justice through the story of art collector and philanthropist Agnes Gund who sold Roy Lichtenstein’s painting “Masterpiece” in 2017 for $165 million to start the Art for Justice Fund to end mass incarceration.
"Art in Our Time: Toward a New MoMA" features a cycle of 'end of century' exhibitions, cumulatively titled 'MoMA 2000', which aim to present the museum's rich collection in a brand new way. Instead of MoMA's famously traditional chronological installation, oriented heavily towards the 'School of Paris', the curators assembled works by themes which offered the public a new approach to the understanding of the art of our time. One aspect of this different approach was to experiment with finding new ways for MoMA to connect more decisively with the art of the present, as the term 'modern' can be construed as the art of the first half of the last century. By masterfully juxtaposing art of the past with art of the present, MoMA has encouraged it's visitors to observe, contemplate and process iconic pieces spanning the last century.
In 1971, underestimated artist Faith Ringgold made a monumental painting for the women incarcerated at Rikers Island jail called “For the Women’s House.” Fifty years later, artist Mary Baxter, who at the age of twenty-five gave birth in prison, finds herself banding together with an eccentric bunch of activists, politicians, artists, corrections officers, and Faith Ringgold to free the painting with the ultimate goal of freeing the women.
Inspired by an exclusive interview and performance footage of Chavela Vargas shot in 1991 and guided by her unique voice, the film weaves an arresting portrait of a woman who dared to dress, speak, sing, and dream her unique life into being.
A cinematic omnibus rooted in New Orleans, challenging the idea of black cinema as a "wave" or "movement in time," proposing instead a continuous thread of achievement.
