It's 1922. A weather observer and his wife live in a remote cabin high in the Swiss Alps. As this drama begins, they are being joined by a third person, an Austrian who coveted the job the Swiss man had won in this bleak location. Not only that, but he also has his eyes on the Swiss man's lovely wife. The Austrian has charm, so he wins some hospitality from the couple. The three live together for a little while, but the rivalry between the two men soon erupts with tragic consequences.

Tells of the tribulations of a middle-aged official of the Austro-Hungarian Bureau of Weights and Measures in fighting the local shopkeepers and traders whose weights are frequently light.

Adaptation of Hermann Sudermann's novel about the troubled relationship between the strong willed Erdme and her irascible husband Jons in the Lithunian moors.

Ulrich Mühe plays a German businessman who was born completely without scruples. This makes him an eminently suitable candidate for success in the chaotic years after World War I. The shameless man's story is contrasted with that of his polar opposite, a Jewish anarchist.

At the top of the mountain stands the beautiful Sternsteinhof farm. Leni, a girl from a poor background, admires this farm and wants to become a farmer's wife there one day to escape her poor circumstances. Toni, the rich owner's son, comes at just the right time. When he gives her a written promise of marriage, Toni's father intervenes. He wants his son to marry a wealthy farmer's daughter and sends him to the army for the next few years. Muckerl, a simple wood carver, seizes his chance and courts Leni's favor...

The new-rich mother of a film child who became famous overnight is trying to bring her little son together with the twelve-year-old king of a Balkan country, who is currently in Brussels, for validity and advertising reasons. The children actually get to know each other and run away with an 'Liftboy' to Antwerp for adventure.

Sisters Maria and Anna live together. Maria is a most proficient executive secretary, encouraging Anna to finish her studies and start a career. Anna broods, threatens to quit university, takes pills, and keeps a diary. When Maria's relationship with Maurice, the son of her boss, starts to lead to love, Anna takes a selfish and drastic step that plummets Maria into solitude. No longer able to connect with Maurice, Maria does establish a relationship with Miriam, a typist at her office who becomes a surrogate younger sister. But Maria is intrusive as well as helpful. Can this or any relationship work out for this talented woman whose past seems to choke her soul?

Willi and Maria Kluge married in the final days of World War II. Maria is deported to a camp in Siberia and does not return home until eight years later. She brings with her the child of a fellow prisoner, whom she gave birth to in the camp. This is a heavy blow for her husband Willi, who has been waiting longingly for her, but he takes her and the child in. She struggles to regain his love and trust, and eventually his masculine generosity prevails.

Doris Putzke is fond of dating men in her quest to find the perfect one. In her brief relationships, she goes from one disillusionment to another, constantly deluding herself about the intentions of her lovers.