
Acting
Agnès Jaoui (born 19 October 1964) is a French actress, screenwriter, film director and singer. Jaoui has won six César Awards, three Lumières Awards, and a Best Screenplay Award at the Cannes Film Festival. She has received numerous other awards and nominations, including a nomination for Academy Award for Best Foreign Language Film. Jaoui was born in Antony, Hauts-de-Seine, and is of Tunisian Jewish descent. She is the daughter of Hubert Jaoui and Gyza Jaoui, who are both writers. They moved to Paris when she was 8 years old. She started theatre when she was in high school at the Lycée Henri-IV in Paris. She entered the Cours Florent when she was 15. Patrice Chéreau, director of the Théâtre des Amandiers in Nanterre where she began attending drama classes in 1984, gave her a role in the film Hôtel de France in 1987. That same year, she appeared in Harold Pinter's L'anniversaire with Jean-Pierre Bacri, who later became a faithful colleague and companion. Jaoui and Bacri wrote the play Cuisine et dépendances, which was adapted onscreen in 1992 by Philippe Muyl. In 1993, director Alain Resnais asked them to write an adaptation of Alan Ayckbourn's 8-part play Intimate Exchanges, which became the 2-part film Smoking/No Smoking. This ironic diptych about free will and destiny won the César Award for Best Writing in 1994. In 1996, they came to know greater success with Cédric Klapisch's adaptation of their play Family Resemblances (Un air de famille), which showed their ability to observe and depict everyday life, and to criticize the social norms through bitter and corrosive humor. Once again, they won the César Award for Best Writing in 1997 and the same year collaborated again with Resnais on Same Old Song (On connaît la chanson), which they wrote but also interpreted: together, they won their third César Award for Best Writing, and Jaoui her first César Award for Best Supporting Actress. Jaoui directed her first feature film, The Taste of Others (Le Goût des autres, 2000, written with Bacri), which questions social-cultural identities. The film was a huge success in France and attracted 4 million spectators. It also won 4 César Awards in 2001 including Best Film and Best Writing, and was nominated for the Academy Award for Best Foreign Language Film. In 2004, Jaoui's second film as a director, Look at Me (Comme une image), co-written with Bacri, was selected for the Cannes Festival and won the prize for Best Screenplay. She starred in the last Richard Dembo's film, La maison de Nina (2005) and then focused on music and released her album of Latin songs, Canta (2006). She returned to cinema in 2008 with Let's Talk About the Rain (Parlez-moi de la pluie), with French humorist Jamel Debbouze in a different role from what he was used to. In 2012, Jaoui directed her latest film to date, Under the Rainbow (Au bout du conte), also co-written with Bacri. She revisits several fairy tales such as Cinderella, Snow White, and Little Red Riding Hood. It received acclaim from critics and audiences for originality and humor in the writing and dialogue. ... Source: Article "Agnès Jaoui" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

Following the success of his first feature "Django", Étienne Comar confronts with "Singing Jailbirds" the life in a prison for women with music and its capacity to unite people and a repertoire of international songs.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

An upper middle-class French family celebrates a birthday in a restaurant. In one evening and during one meal, family history, tensions, collective and separate grudges, delights, and memories both clash and coalesce.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Set in 1913, 1936 and 2001. When he returns to the casino and seaside resort of his early teens, Louis, a 78 year old man encounters Olivia, a 19 year old young woman madly in love with a violent cad. Louis tells the story of his own mother having a passionate, driven fling with his Italian tennis instructor in 1936, and of Marie Collins Brown, the slightly older widowed woman who helped him through his confusion and pain by recounting the story of her passionate 24 hour fling with a hopeless young Polish gambler in 1913.

Who, apart from moviegoers, knows Alice Guy (1873-1968) today? However, she was the first woman behind the camera and the first female director and producer of fiction films in history.

A French family is shown as they go through the daily routines of life. Arguing, feasting, crying, and yearning for love are just some of the human emotions encountered. The mood wavers between excessive noise to silence while those not participating in the conversations eavesdrop.

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

Talented 20-year-old Lolita dreams of a singing career. But her self-esteem is low due to her weight problem and her narcissistic father, Étienne, a literary star with scant interest in his daughter's life. Lolita finds little comfort in the attentions of her vocal coach, suspecting the woman is using her to meet her influential father. Étienne's second wife proves to be Lolita's only trustworthy ally in her private battle to find a sense of worth.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Jacques and Martine, an ordinary bourgeois couple, invite to dinner a friend whom they have not seen the last ten years. Since then he has become a media star and everything has to go just right at dinner.

Agathe Villanova is a self-centered, workaholic feminist politician who, upon reluctantly returning to her home in the south of France to sort out her mother's affairs, runs for a local election. Upon her arrival, Agathe grudgingly agrees to take part in a documentary being made by the blundering duo of Karim, an aspiring filmmaker, and self-professed "reporter" Michel, on the subject of "successful women." As Agathe's life hilariously unravels, the camera is there to capture it all.

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

Laura is still waiting for Prince Charming at the age of 24. So when Sandro appears at a party, exactly like her Prince would in her dreams, she thinks she's found the right one. But then again, when she meets Maxime, Laura starts to wonder if some Princes could be more charming than others? Of course Sandro has problems of his own : his father, Pierre, just bumped into Madam Irma at his father's funeral and this reminded him of the date of his own death which Madame Irma had predicted ages ago. Now Pierre is unable to make any plans, not with his new partner Eleonore, nor with Sandro. And Maxime has his own problems, and so does Eleonore, Marianne, Jacqueline and many others. But don't worry, in the end, they'll all live happily ever after.

