Directing
Aggy Read was born in 1941. He was a director and producer, known for Transition (1967), Dance of Euclid (1967) and A Random Walk to Classical Ruin (1970). He died on August 22, 1998 in Brisbane, Australia. Film-maker, lecturer and croquet champion Aggy Read died in Brisbane on Sunday August 22 1998 after a short battle with cancer. He was best known as the former manager of the UBU Films group in Sydney from 1965-1970. After meeting Albie Thoms at Sydney University, they formed UBU with David Perry, John Clark and associates including Phillip Noyce, Garry Shead, Gary Stiven, Paul Winkler and others. As one of the seminal figures in UBU Aggy was (along with Thoms) the public face of the group, making numerous appearances on television on This Day Tonight, The Don Lane Show and many others, on radio and in the many newspaper articles written about the group. Aggy was charged with smuggling after sending a copy of David Perry's film A Portait of Abigayl's Belly to the Oberhausen Festival in West Germany; the trial caused considerable outrage in Australia, and led later to the repeal of the archaic censorship laws that governed the importation and classification of motion pictures by Senator Don Chipp in 1970. Later, UBU evolved into the Sydney Filmmakers Co-op and Aggy Read was one of the foundation members (as Secretary) at the same time he was working with Thoms, Brett Whitely, and Martin Sharp at the now famous artist commune the Yellow House in Potts Point. In 1973 Read moved to Adelaide to lecture at Flinders University. He was one of the founding members of the Experimental Art Foundation (with Brook, Fleugelman, Frith and Llewelyn) and the Media Resource Centre, working there as the Finance Officer until 1978. In 1985 Read moved to Brisbane lecturing part-time at Griffith University and working at the Heart Foundation. Along with his many advocacy roles for independent film in Australia, and his many contributions to the films of Albie Thoms, Mike Parr and Ben Elfick, Read was a keen hot air ballloonist and croquet player, winning the Australian Men’s title in 1997. Of his many films, Aggy is perhaps best remembered for his outrageous classic Boobs A Lot which caused a near riot at the 1968 Sydney Film Festival when it was first screened by new Director of the Festival David Stratton. A true Australian libertarian and larrikin, Aggy Read remained committed to fostering the development of creative film in Australia, he will be remembered by many in this country for his infectious enthusiasm and tireless wit. Aggy Read is survived by his wife, writer and actress Judith Arthy, a stepson Luke, and his mother and brother in Sydney. Original obituary by Peter Mudie

SUNSHINE CITY is Albie Thom’s sprawling, protoplasmic experimental portrait of his hometown of Sydney. The National Film and Sound Archive of Australia call it “a structured diary film which investigates the process of living in Sydney, which uses a repeating light modulation to intensify experiences of light, heat, colour”.

A shy young man is hired by an ad agency to conduct a survey on sex in Australia. The somewhat clueless young man investigates homosexuality, transvestites, prostitution, and strip clubs along with every other variant on the "norm". While doing his interviews he meets celebrities, self proclaimed sex experts, prostitutes, female impersonators, pop stars, actors, and legislators as well as self appointed morals guardians.
Ningla A-Na documents the activism of the Black movement in south-east Australia in the 1970s and shows how the activists changed the direction of the movement both nationally and internationally.
A lively succession of breasts are animated to the Fugs’ title hit.
A blank screen is filled with random lines and shapes.
A film poem with multiple superimpositions.
An experimental film by Aggy Read.

Collection of erotic themed animated shorts from around the world, including "Boobs a Lot" (1968), "Armchair Inventions" (1975), "Little Genitalia", "A Child's Alphabet With Casual Reference to DNA Replication in the Garden of Eden" (1971), "The Further Adventures of Super Screw" (ca. 1928-1933), "Jack in the Fox", "Hearts and Arrows", "Schneewittchen" (a sex parody of 'Snow White'), "Buried Treasure" (ca. 1928-1929), "Crocus", "Little Ms. Muffet", "Seed Reel #1."; "Sniff and Lick"; "Hungry Poem"; "Twelve Dancing Penises", "L'ombre de la pomme" (1967), "Show biz", "Kama Sutra Rides Again" (1972) and a varitation of "Boobs a Lot".
A minimalist exercise described by Thoms as ‘observing the effect of movement on perception within the framework of Ravel’s music’.