At the turn of the century, a 9-year-old boy and his mother travel to the capital city to undergo a medical procedure.

The driver of two human traffickers ends up unknowingly helping his clients drive his kidnapped daughter outside the country.

Jeton, a 10-year-old boy is sitting on the edge of a balcony on the 4th floor. Neighbours and passers-by, terrified by this situation, call the police and firefighters for help. But the situation quickly becomes unmanageable.

10-year-old Nori is obliged to grow up at a very young age after the early death of his mother and then being abandoned by his father Gezim in the Kosovo of the 1990s.After a dangerous and eventful journey, Nori finally arrives in Germany and is reunited with his father, but he cannot understand how Gezim could just have left him. And chances of them being able to stay in Germany look bleak when Gezim’s application for asylum is rejected.

In a village where everyone left, Redjo stays behind, he becomes the heart of Sllupkovo. A heartwarming comedy celebrating community resilience. Everybody Calls Redjo, the village hero.

A lonely boy, who lives in Amsterdam with his refugee mother from Kosovo, keeps getting into trouble while yearning for her acceptance. But the traumas caused by the war, which his mother hides away from him, turn his world upside down.

Bekim and Anita are getting married, but Anita is unaware that Bekim is still in love with his best friend Nol. The Marriage charts the emotional predicament of the man who has strong feelings for two persons. There is great pressure to marry and only mild support for LGBTQ rights in Kosovan society, so Zeqiri’s film, which unashamedly puts same-sex and heterosexual passion on the same plane, is a forceful step in the right direction, as well as a dynamic portrait of romance and deception in the shadow of war.

The calm and ordinary life of a forgotten village is disturbed with the arrival of three prostitutes in the village’s bar, owned by two pimp brothers. The men, despite the efforts of their wives to stop them, spend all their time in the village’s bar, spending their last money on alcohol and sex. Chaos overcomes the village school; its devotees abandon the mosque. Only two youngsters benefit from all this mayhem, by realizing their love affair, forbidden by their parents. At the end, the women start upraising. Consequently, the bar is burnt down and the village looks that it will return to normality.

In the early '90s, the Yugoslavian Government cancelled the autonomy of Kosovo, dissolved its Parliament and closed down the National Television. All institutional life was reorganized by the new authorities, while the majority of the citizens responded with peaceful demonstrations. During this terrible time, Fadili, who works as an archivist, has to choose between two options, knowing that both of them are wrong. He therefore involuntarily and unwillingly "swallows" the shame, endures the pressure bearing down from all sides and puts up with the bad reputation for only one reason: to provide for his family.

Little Genti wants a puppy. He expresses his wish at the family gathering, after his Roma coeval Xeni shows at the door, with his stray dog friend Aaj. This brings up a fired up discussion among the grown ups. After a quick disapproval, discussion changes its path into a clash of generations, conflict between traditional beliefs and new contemporary way of life. Ignored by grownups and despite his mother's disapproval, Genti joins Xeni and Aja on the street, continuing to find his new puppy-friend.