British progressive rock band Pink Floyd perform at the ancient Roman Amphitheatre in the ruins of Pompeii, Italy in 1971. Although the band perform a typical live set from the era, there is no audience beyond the basic film crew.

Documentary about the Belgian surrealist artist who died in 1967.

A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work.

Filmed in the 1970s with the art critic Otto Hahn, this film is the only visual document which brings together the thirteen Nouveaux Réalistes who participated in the artistic movement created by critic Pierre Restany in 1960 and including the text of the declaration collective was signed by Yves Klein in nine copies. Each of the artists appropriates a piece of land from the civilization of waste: from Arman the accumulations, from César the compressions of scrap metal, from Jean Tinguely the rusty machines, from Raymond Hains the torn posters.

A camera crew follows Helmut Newton, the fashion and ad photographer whose images of tall, blond, big-breasted women are part of the iconography of twentieth-century erotic fantasy. He's on the go from L.A., to Paris, to Monte-Carlo, to Berlin, where he was a youth until he escaped from the Nazis in 1936. We see him on shoots, interviewing models, and discussing his work.

Feature film.

This film is a portrait of the group as it was more than a year before the release of the album The Dark Side of the Moon. It bears witness to one of the most fruitful periods in its existence. The recording session was filmed with a Coutant camera on 16mm black and white reversal stock. The rushes were found again by the filmmaker and are now preserved at the Cinémathèque française. They have never been seen except for a ten-minute excerpt used in the director's cut of Pink Floyd: Live at Pompeii.

On 28 February 2009 Kaing Guek Eav, alias Duch, appeared in the ECCC courtroom and made a two-hour speech where he asked for forgiveness for the appalling torture and execution of at least 13,000 prisoners at Tuol Sleng and probably more in the security camps of M-13 and M-99. Until this date, with the exception of a handful of judges, lawyers and a priest, he had not been seen or heard of for the last thirty years. How did a man, known to be kind and generous to fellow students, possibly transform himself into Comrade Duch, the Khmer Rouge's infamous executioner? This documentary revisits and searches for clues. (Storyville)

Until his death in 1994, the twentiethcentury master Paul Delvaux was the last surviving member of the first generation of surrealist painters. In this portrait, he reminisces about his family, himself, his art and the various phases of his career. He explains that all his visual ideas are derived from childhood memories and the film shows the way in which these scenes have been incorporated into his work. The painter is seen as a young man (the earliest footage dates from 1945) and the film includes some unique shots of the extraordinary Musée Spitzner.