Alois Hingerl, porter no. 172 at the Munich train station, gets into heaven. St. Peter introduces him to the heavenly house rules: “rejoicing” and “singing hallelujah”. Of that, “Angel Aloisus” is not very edified, especially since he is supposed to get “heavenly manna” instead of Munich beer. Due to a few irksome events at the side, his dissatisfaction is only increased. Angrily, he sits down on his cloud in order to rejoice and sing hallelujah. But that sounds in such a way that the heavenly population’s hair stood on end. In his indignation, Alois even doesn’t mince his words towards the Lord. The latter gives in and orders Alois to deliver the divine afflatus to the Bavarian government. He sends him immediately with a corresponding letter to Munich. As “angel Aloisius” comes back home, he at once goes to the Hofbräuhaus. And like this, the Bavarian government waits till today for the divine afflatus in vain.

The love between a noble student and the daughter of a coffee house owner, set against clichéd images of Munich at the turn of the century.

German silent film

A sculptor, an enemy of modern art, sets an example. He sculpts a statue of Venus in the style of the Greek antiquity and buries it in a forest. When it's dug up in 1930, it's considered to be a 2 000 year old, antique statue.

A group of people gathers back in the post-war ruins of a luxurious Munich hotel they inhabited at one point or another years before; each trying to cope with the tragic consequences of the war and their own actions.

Policeman Haller becomes a fire policeman in Munich, in order to find back his fiancée Hilde. After a while, he really finds her, but she is still jealous because of a dancer Haller flirted with. Also, Haller suspects Wiedemann to be a competitor in his fight for Hilde's heart. Suddenly, Haller finds out that Wiedemann is a criminal and plans to rob the safe of the chemistry lab Hilde is working in. Haller wants to bust Wiedemann alone, but some things happen that make it all much more complicated.