Through her own family's memories of struggle, Adjani unravels the story of war-torn Southern Philippines as an endless attempt at survival and adaptation to state policies that disregard the most basic concept of home.

Requiem for M is an experimental short documentary in the aftermath of the Maguindanao massacre in which multiple journalists were slain. Dalena captured scenes from the funerals and played this in reverse, in the wistful yearning to turn back time to before the tragedy occurred.

Walai prods on the memories of four Muslim women who once lived in the infamous White House in Cotabato City. The documentary seeks narratives in "places...we tend to feel without history." It traces the past through the women's experience of what has happened inside the wrecked home-nostalgia and fear, loss and love, and birth and death.

Just as she was about to give up on her pursuit of companionship, traumatized, nine-year-old Sol meets and befriends a forest spirit on her tenth birthday, making way for an exploration of healing, identity, and desire in the remaining days before she enters a new school.

Porferia, who is 9 months pregnant, and her husband Felix, are abducted by the military and wrongfully accused of insurgency. Porferia's wild imagination and unsinkable hope carry them through the ordeal of torture, leading to their eventual escape.

Mother Mameng delves deep into the character of a woman who has experienced extreme poverty and domestic violence and rose from from it all to become the beloved personality, well-known to the Philippine mass movement.

Through her own family's memories of struggle, Adjani unravels the story of war-torn Southern Philippines as an endless attempt at survival and adaptation to state policies that disregard the most basic concept of home.

Through her own family's memories of struggle, Adjani unravels the story of war-torn Southern Philippines as an endless attempt at survival and adaptation to state policies that disregard the most basic concept of home.

Through her own family's memories of struggle, Adjani unravels the story of war-torn Southern Philippines as an endless attempt at survival and adaptation to state policies that disregard the most basic concept of home.

Count is a short essay film that plays with the idea of internalized historical misalignment. It is a probing into the unseen discrepancy that has exponentially grown throughout the centuries. It starts with the author's sons, as they start their online distance learning, in the context of a pandemic raging in the midst of a Drug War, both with fatalities miscounted and uncounted.