Camera
No biography available.
A woman with a dark past dedicates herself to taking care of multi-handicapped children. When a young musician comes into her life, she is forced to face her history, or it will destroy her future.
A glimpse into the far future: in search of the ultimate truth about the past, a paleo-media-ontologist scavenges the imagination of the past to recontextualise and reflect what it is called fossil relic in their time; a mountain of invisible electronic waste buried in a tropical landscape of the South.
Formed between factual and fictional, future and past, material and incorporeal, scientific and magic, Monisme reflects the intermingled relationships between people in Mount Merapi.
The movie narrates the story of an organ ranger in Tulang Bawang, Lampung named Mirwan. From Mirwan’s daily activities, we can see how the music dynamic and organ group life with all the challenges faced by Mirwan, being a well- known Ranger in his region.
A mother invites her son to visit her husband who has been sick for a long time. This is the first time for the son because, in fact, he does not want to see his father again. But the mother still loves her husband, and this angers the son.
Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?
The Enigma of Hedonism are profile documentaries that tell the life of Heri Dono. His attitude and view as an artist that transcends canvas and time has had an important impact on artists and artists in other fields in their work. Not only that, his exploration of the various and types of working mediums and the experience of participating in various prestigious exhibitions in the world has made him dubbed as the greatest artist of Indonesia today.
Guided by the Minahasa’s influence, this speculative fiction of mystical belief interlaces care and ancestral dialogues, embracing a healing renewal across numinous, material and technological realms.
Garden Amidst the Flame is a coming of age story where we guided into the fantasy of a young Minahasan girls in non-linear time structure. The plot of was written after Natasha participated in a Karai ritual. The sublime immaterial experience of digging, taking part, and observing her ancestral culture inspired her to conceived this work. The work explores the psychology of the many fictional characters that appear in the film. They all interact with each other to thinking a new method of speculative care, as an idea to oppose the hypermasculine presentation of Minahasan ritual culture and everyday life.
I Swarnangkara was haunted by a monster. Despite his fear, he decided to face this monster once and for all.