Maciek is a bright and savvy 20-year-old, although he has to borrow money and a car for a date from his dad. His father, on his eighteenth birthday, set off an explosive device, stole a car, contributed to the wrecking of two police cars and deceived for big money a shady businessman. At the same time, he won the heart of a beautiful woman. So he set the bar high, and it will soon become clear whether his son has inherited his bravado and propensity for dangerous intrigue. All this will happen through a date that will connect him with two unpredictable women and draw him into a game at stake - big money and even bigger love.

Joko is a young man who works on the cistern, he is the only breadwinner in a family. On his second anniversary of employment, Joko and his colleagues meet with foreign delegates who force boy and the rest to… carry on their back. At first, Joko is against and rebels against this humiliating activity. However, under the pressure and desire to earn good money, he subsides.

A poignant professional directing debut of Kobas Laksa, a visual artist, photographer, performer and an experimenter. Larysa and Boris, immigrants from Ukraine, are raising their son Mitia together. They try to balance their private and professional life. Larysa plays the flute and tries to be admitted to the local philharmonic orchestra, while Boris is a street mime. When they seem to have luck on their side, an accident that happens forces them to redefine the vision of the future they have had so far. Very close to man, this kind of cinema is balanced and intimate, with a sparse use of dialogue and great consistency of the form.

Ola sets off to Ireland to bring her father's body back to Poland after he dies in a building site accident. But never mind her dad, Ola wants to know if he had saved money for the car he had promised her. Dealing with foreign bureaucracy in her own streetwise way, Ola will get to know her father.