XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

Freely inspired to the GACY's torture insane world, this film promise to tell what in other movies no one had the courage to push the limits! A young man wakes up after a one night stand and finds himself in the clutches of one of the most notorious serial killers to ever stalk the earth.

11 international directors, 11 short stories and one protagonist: the PENIS. The penis as you have never seen it, feared it, conceived it, dreamed of it... in the first DICKSPLOITATION movie ever!

11 international directors, 11 short stories and one protagonist: the PENIS. The penis as you have never seen it, feared it, conceived it, dreamed of it... in the first DICKSPLOITATION movie ever!

A family moves into their new home, which proves to be evil, resulting in the possession of the teenage son by the ghost of the father.

XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

XXX DARK WEB is the new controversial anthology movie directed by five of the most extreme international contemporary directors.

A daring horror-anthology film built from seven segments, each by a different director, unified under the theme of taboo, the body and the repressed. The collection turns its gaze toward the most demonised and fetishised frontier of bodily representation — the anus — and uses this “hidden” territory to explore anxiety, identity, desire, repression and liberation. The stories vary in tone and style—some digital-age allegory, some dream-like psychological journeys, some extreme body-horror—but all form a choral fresco: each segment maintains its individual voice while entering into a dialogue with the others. The project positions itself not simply as provocation but as a political, aesthetic dissection of the obscene, asking where cinema’s boundaries lie, and what is suppressed, shown or revealed.