
Acting
No biography available.

At 75, Tibor spends his days alone in the house where he lived for many years with his wife Ilona, who died. Ilona has been a ghost in Tibor's everyday life since her death. Tibor and Ilona's apparent peace is interrupted by the appearance of their daughter Edit and granddaughter Réka when they are forced to sell their grandfather's house.

The attractive, 32-year old and single Dora edits scripts for plays and is working on "Dangerous Liaisons." One day when her lover shoves her, half-naked, out on a balcony at the sudden appearance of the wife that Dora didn't know he had, Dora is rescued by a handsome man named Tamas.


A 107-minute long message that will be sent by a rocket to aliens who were detected from outside our solar system. The film is about the making of this message, and it follows the building of the space capsule from the signals received until the launch of the rocket. The valuable and illuminating interviews made with 42 role models tries to answer the big quesions of the human existence with unique humour. The message of the film is actually intended for everybody who is searching for their path, a handhold, motivation, to live their daily life to the fullest.

"A bus came..." consists of five loosely connected sketch films; the only thing that connects them is that each one is connected in some way to a bus route in Budapest. The mini-films, which are very different in mood and style, were made by Ferenc Török (Shoes), Árpád Schilling (No Comment), Viktor Bodó (Quarter Hour), György Pálfi (Táltosman vs. Ikarus) and Kornél Mundruczó (St. John of 78) with the professional and friendly support of Miklós Jancsó, who also provided the basic idea for the film.

Death does not select, man does. Set in Budapest, Heavenly Shift offers an eerie insight into the everyday lives of a rather extraordinary ambulance crew. The films main character is Milan, a young refugee from the Balkan War, who joins a team of paramedics but inadvertently ends up involved in the funeral business in order to finance his fiancee s rescue from the hostilities.


János Arany was nineteen years old when he left the Reformed College in Debrecen and became a travelling actor. He is stubbornly silent about this period in his memoirs, and he is already over fifty by the time he first puts his acting adventure on paper in his unfinished poem novel, Foolish Gods, calling himself Istók.The film by Gábor Rohonyi and Georgina Hegedűs, starring Ágoston Liber, depicts the lesser-known but all the more adventurous early years of one of the most important figures in Hungarian literature, mixing the story of his growing up with romantic elements and the road movie genre.

This film is about the relationship of a mother and her daughter, the split-up of their family, the blessing and curse of belonging together and about coming of age - all this from the perspective of the young girl Aglaja. The story is based on real-life events, an Eastern European circus artist family that fled to the West. If they want to stay in the circus business they have to make up an exotic act. The mother spends all their money to buy a very dangerous act: hanging by her hair high up in the dome of the circus while juggling with burning torches. Every night Aglaja is terrified by the fear of losing her mother. But, on some day, she has to follow the family tradition and become the "Woman with the Hair of Steel".

Dani was always the good boy at school and is about to get married. He bumps into Tímea Hajnal, who is now a top model but is trying to get over a humiliating break-up. After a few glasses of wine, they fall into each other’s arms, which wouldn’t be so bad on the face of it, but there’s a tiny problem: Bögöcs, the bad boy of the class, has been recording everything on his mobile phone, and he’s thinking of using it to finally be able to fulfil his teenage dream - to sleep with Tímea. He threatens to show the video to Dani’s fiancée if he doesn’t take steps to set things up for him with Tímea. The pressure very quickly starts to have consequences for Dani’s relationship with his bride-to-be, as she starts to nag him chronically. The wedding is fast approaching, and Dani has to do something…
