Reflections on life and death unfold through the eyes of Jorge, the head doctor of the Haematology Department, whose world is plunged into despair when he falls in love with Clarisse, a woman suffering from advanced leukemia.

In the forties, in a little settlement lost amidst the mountains of Trás-os-Montes, Leonardo tries to survive by buying and selling marten and fox furs, dreaming of the day he’ll close a big deal.

The history of Portugal since the Republican revolution of 1910 to the revolutionary period following the military coup of April 24, 1974, recounted with a marxist perspective, using historic sound and film documents. The title refers to a trilogy of values proclaimed by Salazar, prime minister of Portugal in 1936.

This symbolic drama from director Benoit Jacques underscores the characters' human need for affection. Children steal lemons for the thrill, while women steal other women's men from them just to prove they can. Drug smuggling, clandestine love affairs, and two lovers involved with the production of Shakespeare's Othello carry on with their own off-stage tragedy.

A serious young man of free spirit is forced by his surroundings to become rich at all costs. A group of blind children tries to open the eyes of the unbelievers to the Christian faith. Retired nuns who open a brothel, to pay the running costs of the convent. These rather ironic paradoxes turn this fairytale into a philosophical fable.

VIEIRARPAD begun with the correspondence between the couple Maria Helena Vieira da Silva and Arpad Szènes, between 1932-1961. The letters and the intimacy of their words are pretext for the exploration of an equally intimate visual journey

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

Film directors with hand-held cameras went to the streets of Lisbon from April 25 to May 1, 1974, registering interviews and political events of the Portuguese "Carnation Revolution", as that period would be later known.

This documentary, filmed clandestinely, is based on several interviews with the executioners who worked in Spain during the early 1970s, as well as families of people executed by them.

A group of strangers comes to a monastery in Utah for a month-long stay. The monastery has two guidelines: no people-pleasing and no private thoughts. They find themselves opening up to each other in ways they never could have imagined.