Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

The writer and filmmaker Abdellah Taïa writes a letter to his gay nephew, Brahim, to help him getting out of fear, to support him, to walk beside him. To love him strongly.

Abdellah is a young gay man navigating the sexual, racial and political climate of Morocco. Growing up in a large family in a working-class neighborhood, Abdellah is caught between a distant father, an authoritarian mother, an older brother whom he adores and a handful of predatory older men, in a society that denies his homosexuality.

Soundouss and Jaâfar, two gay youths from Casablanca, spend the summer in Cabo Negro in the north of Morocco, at a villa rented by Jaâfar’s American lover—who does not show up. The friends decide to stay in the villa and do the best they can.

Soundouss and Jaâfar, two gay youths from Casablanca, spend the summer in Cabo Negro in the north of Morocco, at a villa rented by Jaâfar’s American lover—who does not show up. The friends decide to stay in the villa and do the best they can.

When penniless young writer Labidi meets Elisa he knows she’s the one for him. But Paris is expensive. A captivating film that combines the classic themes of French New Wave cinema with questions about roots, familiarity and distance.

Vincent returns from Rabat, where he has failed to find the childhood home of his father, who left Morocco at independence. On the way to the hospital where his father is dying, Vincent meets Ahmed, a Moroccan student.

January, 2007: I am back in Cairo. For work. You have changed your phone number, Omar. I must find you... I love you. Abdellah.

January, 2007: I am back in Cairo. For work. You have changed your phone number, Omar. I must find you... I love you. Abdellah.