
Acting
His parents were José de la Luz Hernández and Amadita Rodríguez. He has a brother, Héctor Hernández. He was left fatherless, and his mother took him to Mexico City in 1956. He studied accounting, although his vocation was acting. He married Edith Sánchez, with whom he became the father of Aarón and Edith. He debuted as a theater actor in the 1950s, in the play Las manos sucias, by Jean-Paul Sartre, with the participation of Tere Velázquez, Carlos Bracho and Sergio Barrios. Once settled in Mexico City, he entered the Instituto Cinematográfico, Teatral y Radio-Televisión, of the Asociación Nacional de Actores (ANDA), directed by Andrés Soler. In 1958, he participated in another festival, with the ICT's Moncell group, where he starred in El gesticulador, a play by Rodolfo Usigli. He made his film debut in 1965 with Viento negro, as a supporting actor. After participating in the play Moby Dick, he was called by Ernesto Alonso to work in television. He made his television debut in the soap opera La mentira (1965), with Julissa, Enrique Lizalde and Fanny Cano. He worked in the theatrical company of the Mexican Social Security Institute. Aarón Hernán served as Secretary of Internal and External Affairs and Treasury of the National Actors Association (ANDA) on several occasions and served as General Secretary from 1998 to 2002. In his last year of life, his children wanted to declare him legally incompetent to administer his assets, so he had to defend himself legally and moved to La Casa del Actor, ANDA's retirement home. There he had a fall that caused him to fracture his femur. Complications following surgery caused a lethal myocardial infarction.

A filmmaker is commissioned to film a documentary on the social reality of the Lacandon people in the state of Chiapas. As he enters the harsh living conditions of this indigenous community, his social conscience forces him to confront his superiors, who threaten to destroy his material.

Valeria and Pablo, her husband, own an important hotel chain, which she inherited and he manages. Valeria knows that she suffers from chronic insomnia but has managed to control it and live a normal life.

While attending the birth of Isabel, the wife of foreigner Felipe, Mama Santos predicts that "something terrible is going to happen in the town." From this omen, calamities will torment the locals.

Deathstalker’s back—and this time he’s facing off against Troxartes, an evil wizard with a zombie army and two magical jewels that hold the key to the lost city of Erendor. Teaming up with Princess Carissa, Deathstalker must protect the third gem, storm a heavily guarded fortress, and ride a bolt of lightning straight into battle.


Revoltoso | Set on 1913. Jabalito, a small one-eyed wild boar is on the scene of one of the first filmed wars in history: the Mexican Revolution. In the midst of the war he discovers cinema. Revoltoso is a stop-motion short film. The look and feel is inspired by Cubism.

This is the story of a man, Emiliano Zapata, and of a revolution, the Mexican Revolution.

Two shareholder brothers close several factories due to economic problems, except for their chemical plants.

Rogelio’s story, a young man of humble origin in the neighborhood of Tepito, who falls in love with the daughter of a wealthy grocer, Michelle, but his marriage to her will be a failure and he will end up as a one more drunk.

Javier se ha casado con María, el amor de su vida, y ahora lo único que desea es estar feliz con ella el resto de su vida, pero el destino se la quita poco después de la boda. Ahora Javier está enredado en sus emociones: ¿cómo aceptará la muerte de su mujer para encontrar nuevamente el amor?
