"As Guy Fihman said, Bruine Squamma is also the story of a woman (N.K.) coming out of her house (Mozart House) speeding (tunnels) to join a man (Bléneau + cloud). And yet I wanted the shape of the film to be the furthest, the most secant, the most tenuous possible, a continuum of beats where fluctuate incessant metamorphoses swirls. I wanted to travel in a shaky and fixed form, states that continue to wither and get caught in unfixable beats." --Claudine Eizykman